{"id":80,"date":"1998-01-01T00:00:18","date_gmt":"1997-12-31T21:00:18","guid":{"rendered":"http:\/\/www.frankofoni.com.tr\/?p=80"},"modified":"2019-10-29T20:30:28","modified_gmt":"2019-10-29T17:30:28","slug":"ortak-kitap-no-10-1998","status":"publish","type":"post","link":"https:\/\/www.frankofoni.com.tr\/tr\/ortak-kitap-no-10-1998\/","title":{"rendered":"Ortak Kitap No : 10 &#8211; 1998"},"content":{"rendered":"<p><strong>MARCEL PROUST O\u0308ZEL BO\u0308LU\u0308MU\u0308 \/ DOSSIER MARCEL PROUST<br \/>\n<\/strong>Kay\u0131p Zaman\u0131n I\u0307zinde ve Yas\u0327amo\u0308yku\u0308sel Anlat\u0131 \/ <strong>Ays\u0327e (Eziler) K\u0131ran <\/strong>\u2013 \u201cMu\u0308zikal Roman\u201d ve Proust \/ <strong>Tuna Ertem <\/strong>\u2013 Une e\u0301tude stylistique sur la phrase proustienne qui refle\u0300te la perception infinie dans Un Amour de Swann \/ <strong>Asl\u0131 Ig\u0306s\u0131z <\/strong>\u2013Marcel Proust Duyumsamalar\u0131n Pes\u0327inde \/ <strong>Tug\u0306rul I\u0307nal CHARLES BAUDELAIRE O\u0308ZEL BO\u0308LU\u0308MU\u0308 (V) \/ DOSSIER CHARLES BAUDELAIRE (V) <\/strong>Modern Du\u0308nyan\u0131n Cehenneminden I\u0307lkel Yeryu\u0308zu\u0308 Cennetine: \u201cUzak I\u0307klimlerin Kokusu\u2019ndan \u201cMalabarl\u0131 Bir Kad\u0131na\u201d Ya da Tersi \/ <strong>Abidin Emre <\/strong>\u2013 Baudelaire: \u201cSanatc\u0327\u0131n\u0131n Yaras\u0131, Soytar\u0131n\u0131n B\u0131c\u0327ag\u0306\u0131\u201d \/ <strong>M. Emin O\u0308zcan <\/strong>\u2013 Baudelaire, Sanatc\u0327\u0131 ve Toplum \/ <strong>A. Hamit Sunel <\/strong>\u2013 Zaman, Ac\u0327go\u0308zlu\u0308 Du\u0308s\u0327man \/ <strong>Tug\u0306rul I\u0307nal<\/strong><\/p>\n<p><strong>C\u0327ES\u0327I\u0307TLI\u0307 I\u0307NCELEMELER \/ CONSIDE\u0301RATIONS GE\u0301NE\u0301RALES<br \/>\n<\/strong>Francophonie et salut psychique: le cas de Michel Mitsakis \/ <strong>Gegorges Fre\u0301r\u0131s <\/strong>\u2013 La Gre\u0301cite\u0301 dans l\u2019oeuvre d\u2019Anna de Noailles \/ Vassiliki Lalagianni \u2013 Vassilis Alexakis: e\u0301crire et se traduire \/ <strong>Marie Orphanidou <\/strong>\u2013 Fre\u0301ris-Esin Kaynag\u0306\u0131 Gu\u0308zellik: Ro\u0308nesans Do\u0308nei Edebiyat\u0131nda Gu\u0308zellik Anlay\u0131s\u0327\u0131 ve Su\u0308re Geleneg\u0306ine Yans\u0131malar\u0131 \/ <strong>Hande Sadun <\/strong>\u2013 De Diderot a\u0300 Sade: De lathe\u0301isme moral a\u0300 l\u2019athe\u0301isme immoral \/ <strong>Jale Erlat <\/strong>\u2013Euge\u0301nie Grandet ve Kalpazanlar: Bir Roman Tan\u0131mlama Denemesi \/ <strong>Ekrem Aksoy <\/strong>\u2013 Goriot Baba\u2019da U\u0308st &#8211; anlat\u0131m ve Baz\u0131 Kis\u0327i Adland\u0131rmalar\u0131 \/ <strong>Abdu\u0308llatif Acarl\u0131og\u0306lu <\/strong>\u2013 Le Motif de la navigation dans le \u201cBateau ivre \u201cd\u2019Arthur Rimbaud \/ <strong>Simone Artuk <\/strong>\u2013 Romanlarda Waterloo Savas\u0327\u0131 \/ <strong>Tu\u0308lin Deniz <\/strong>\u2013 Andre\u0301 Malraux\u2019nun Envar Pas\u0327a\u2019s\u0131 \/ <strong>Kemal O\u0308zmen <\/strong>\u2013 Sanatsal Etkinlig\u0306in Dog\u0306as\u0131 U\u0308zerine \/ <strong>Necdet Su\u0308mer <\/strong>\u2013 Edebiyat Sinema I\u0307lis\u0327kisi U\u0308zerine \/ <strong>Gu\u0308ls\u0327en Say\u0131n Teker <\/strong>\u2013 Politik Edebiyat\u0131n Etkili Silahlar\u0131 Gotik ve Grotesk O\u0308yku\u0308 \/ <strong>Sevinc\u0327 O\u0308zer <\/strong>\u2013 Il e\u0301tait une fois une fois une fille qui vivit dans le monde des eaux: Son nom&#8230; Undine\/Ondine (Giraudoux) \/ <strong>Tanju I\u0307nal <\/strong>\u2013 Jean Giono ve Yas\u0327ar Kemal Du\u0308nyas\u0131na Bir Yolculuk \/ <strong>Abdu\u0308lhalim Ayd\u0131n <\/strong>\u2013 Le the\u0301a\u0302tre poe\u0301tique d\u2019Aime\u0301 Ce\u0301saire: Nouvelle vision de la trage\u0301die du Rou Christophe \/ <strong>Ays\u0327e Alper <\/strong>\u2013 Beckett\u2019in K\u0131sa Bir Monolog Adl\u0131 Oyununda O\u0308lu\u0308m ve Dog\u0306um Olgusu \/ <strong>Aylin Kesim <\/strong>\u2013 Aile Fotog\u0306raflar\u0131: Marguerite Duras\u2019\u0131n Sevgili\u2019si, Roland Barthes\u2019in La Chambre Claire\u2019i \/ <strong>Kubilay Aktulum <\/strong>\u2013 Jean Anouilh\u2019un Senlis\u2019de Randevu Adl\u0131 Oyununda Pembe (Du\u0308s\u0327) \u2013 Kara (Gerc\u0327ek) C\u0327at\u0131s\u0327mas\u0131 \/ <strong>Ayten Er <\/strong>\u2013 Georges Perec et quelques aspects du re\u0301cit post-moderrne \/ <strong>Waclaw Rapak <\/strong>\u2013 Bir El(l)es\u0327tiri U\u0308zerine Du\u0308s\u0327u\u0308nceler \/ <strong>I\u0307smail H. Demirdo\u0308ven <\/strong>\u2013 Kitap Raporu \/ <strong>Sevim Akten.<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"<p>MARCEL PROUST O\u0308ZEL BO\u0308LU\u0308MU\u0308 \/ DOSSIER MARCEL PROUST Kay\u0131p Zaman\u0131n I\u0307zinde ve Yas\u0327amo\u0308yku\u0308sel Anlat\u0131 \/ Ays\u0327e (Eziler) K\u0131ran \u2013 \u201cMu\u0308zikal Roman\u201d ve Proust \/ Tuna Ertem \u2013 Une e\u0301tude stylistique sur la phrase proustienne qui refle\u0300te la perception infinie dans Un Amour de Swann \/ Asl\u0131 Ig\u0306s\u0131z \u2013Marcel Proust Duyumsamalar\u0131n Pes\u0327inde \/ Tug\u0306rul I\u0307nal CHARLES&hellip;<\/p>\n","protected":false},"author":1,"featured_media":49,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[2],"tags":[],"class_list":["post-80","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-sayilar"],"_links":{"self":[{"href":"https:\/\/www.frankofoni.com.tr\/tr\/wp-json\/wp\/v2\/posts\/80","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.frankofoni.com.tr\/tr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.frankofoni.com.tr\/tr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.frankofoni.com.tr\/tr\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.frankofoni.com.tr\/tr\/wp-json\/wp\/v2\/comments?post=80"}],"version-history":[{"count":1,"href":"https:\/\/www.frankofoni.com.tr\/tr\/wp-json\/wp\/v2\/posts\/80\/revisions"}],"predecessor-version":[{"id":81,"href":"https:\/\/www.frankofoni.com.tr\/tr\/wp-json\/wp\/v2\/posts\/80\/revisions\/81"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.frankofoni.com.tr\/tr\/wp-json\/wp\/v2\/media\/49"}],"wp:attachment":[{"href":"https:\/\/www.frankofoni.com.tr\/tr\/wp-json\/wp\/v2\/media?parent=80"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.frankofoni.com.tr\/tr\/wp-json\/wp\/v2\/categories?post=80"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.frankofoni.com.tr\/tr\/wp-json\/wp\/v2\/tags?post=80"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}