{"id":78,"date":"1997-01-01T00:00:00","date_gmt":"1996-12-31T21:00:00","guid":{"rendered":"http:\/\/www.frankofoni.com.tr\/?p=78"},"modified":"2024-07-01T15:40:45","modified_gmt":"2024-07-01T12:40:45","slug":"ortak-kitap-no-9-1997","status":"publish","type":"post","link":"https:\/\/www.frankofoni.com.tr\/tr\/ortak-kitap-no-9-1997\/","title":{"rendered":"Ortak Kitap No : 9 &#8211; 1997"},"content":{"rendered":"<p><strong>BI\u0307LGE KARASU O\u0308ZEL BO\u0308LU\u0308MU\u0308 \/ DOSSIER BI\u0307LGE KARASU<br \/>\n<\/strong>Bilge Karasu ve Ku\u0308g\u0306 (C\u0327oksesli Mu\u0308zik) I\u0307lis\u0327kisi U\u0308zerine \/ <strong>Ertug\u0306rul Og\u0306uz F\u0131rat-Bilge Karasu <\/strong>Okumak \/ <strong>S\u0131tk\u0131 M. Erinc\u0327 <\/strong>\u2013 Edebiyat Ac\u0327\u0131s\u0131ndan <strong>Bilge Karasu \/ Ays\u0327e (Eziler) K\u0131ran <\/strong>\u2013 Narla I\u0307ncire Gazel: Gazel Formunda Bir Postmodern Anlat\u0131 \/ <strong>S. Dilek Yalc\u0327\u0131n \u2013 Bilge Karasu <\/strong>\u2013 Karanl\u0131ktan Is\u0327\u0131g\u0306a \/ <strong>Ece Korkut <\/strong>\u2013 Sanat\u0131n\u0131n Aynas\u0131nda Kendini Hayranl\u0131kla Seyreden Adam : Bilge Karasu \/ <strong>Sevinc\u0327 O\u0308zer <\/strong>\u2013 Bilge Karasu\u2019nun Mektuplar\u0131 ya da Bir Dostlug\u0306un Tan\u0131klar\u0131 \/ <strong>Kaya O\u0308zsezgin <\/strong><\/p>\n<p><strong>PAUL ELUARD O\u0308ZEL BO\u0308LU\u0308MU\u0308 \/ DOSSIER PAUL ELUARD<br \/>\n<\/strong>Eluard, le chant du re\u0301sistant \/ <strong>Kemal O\u0308zmen <\/strong>\u2013 Eluard\u2019\u0131n Bir S\u0327iiri U\u0308zerine \/ <strong>Kemal O\u0308zmen <\/strong>\u2013 La Poe\u0301tique de Paul Eluard \/ <strong>Nedim Kula <\/strong>\u2013 Paul Eluard\u2019da As\u0327k\u0131n Tekillig\u0306i ve C\u0327og\u0306ullug\u0306u \/ <strong>Galip Bald\u0131ran<\/strong><\/p>\n<p><strong>BAUDELAIRE O\u0308ZEL BO\u0308LU\u0308MU\u0308 (IV) DOSSIER BAUDELAIRE (IV)<br \/>\n<\/strong>Paris S\u0131k\u0131nt\u0131s\u0131\u2019na Bir Giris\u0327 Denemesi \/ <strong>Tug\u0306rul I\u0307nal <\/strong>\u2013 Paris S\u0131k\u0131nt\u0131s\u0131 I\u0307c\u0327in Bir Okuma K\u0131lavuzu Denemesi \/ <strong>Tug\u0306rul I\u0307nal <\/strong>\u2013 Baudelaire: Anne ve Go\u0308lgesi \/ <strong>A. Hamit Sunel <\/strong>\u2013 Deux jugements radicalement oppose\u0301s de Baudelaire sur les Mise\u0301rables de Victor Hugo \/ <strong>Jean-Louis Mattei <\/strong>\u2013 \u201cBirlikte Yaln\u0131z\u201d \u2013 Moesta et Errabunda \/ <strong>Abidin Emre<\/strong><\/p>\n<p><strong>C\u0327ES\u0327I\u0307TLI\u0307 I\u0307NCELEMELER \/ CONSIDE\u0301RATIONS GE\u0301NE\u0301RALES<br \/>\n<\/strong>XIX. Yu\u0308zy\u0131l Frans\u0131z edebiyat\u0131nda Halk Roman\u0131 \/ <strong>Sibel Bozbeyog\u0306lu <\/strong>\u2013 Ruhc\u0327o\u0308zu\u0308msel Bir Okuma: Nerval ve Fournier \/ <strong>Yavuz K\u0131z\u0131lc\u0327im <\/strong>\u2013 Le double dans Le Horla et sur l\u2019eau de guy de Maupassant \/ <strong>Simone Louise Artuk <\/strong>\/ Marcel Proust ve Zaman\u0131n Sonsuzlug\u0306unda Sanat \/ <strong>Ays\u0327e (Eziler) K\u0131ran <\/strong>\u2013 Geleneksel ve Yeni Metinlerde Bir Oku(n)ma Sorunu Olarak Merak ve Ahlak \/ <strong>Abdullatif Acarl\u0131og\u0306lu <\/strong>\u2013 Logo Dram ve Bir Uygulama: Nathalie Sarraute\u2019in Sudan Bir Nedenle\u2019si \/ <strong>Ayten Er <\/strong>\u2013 Michel Foucault, structuralisme et post &#8211; Modernisme \/ <strong>Franc\u0327ois Dosse <\/strong>\u2013 La poe\u0301sie franc\u0327aise depuis 1950 \/ <strong>Jean-Michel Maulpoix <\/strong>\u2013 Lap resse clandestine en France au 18e sie\u0300cle \/ <strong>Jale Erlat <\/strong>\u2013 Sanayiles\u0327me Su\u0308reci Sorunlar\u0131na Gec\u0327ici Bir C\u0327o\u0308zu\u0308m: O\u0308zgu\u0308rlu\u0308k, Es\u0327itlik, Kardes\u0327lik \/ <strong>Ekrem Aksoy <\/strong>\u2013 Bir I\u0307nsanl\u0131k Durumu U\u0308zerine Birkac\u0327 So\u0308z \/ <strong>I\u0307smail H. Demirdo\u0308ven <\/strong>\u2013 Metinleraras\u0131 Nedir? Tan\u0131m-Kuram \/ <strong>Kubilay Aktulum <\/strong>\u2013 Rythme de l\u2019Intonation en turc et en franc\u0327ais \/ <strong>Nur Nacar <\/strong>\u2013 Logie-Al\u0131mlama (Re\u0301ception) U\u0308zerine Tu\u0308rkiye\u2019deki Erich-Maria Remarque ve Eserlerinin Al\u0131mlanmas\u0131 \/ <strong>Sevinc\u0327 Mesbah <\/strong>\u2013 Heykel Sanat\u0131 U\u0308zerine \/ <strong>Necdet Su\u0308mer <\/strong><\/p>","protected":false},"excerpt":{"rendered":"<p>BI\u0307LGE KARASU O\u0308ZEL BO\u0308LU\u0308MU\u0308 \/ DOSSIER BI\u0307LGE KARASU Bilge Karasu ve Ku\u0308g\u0306 (C\u0327oksesli Mu\u0308zik) I\u0307lis\u0327kisi U\u0308zerine \/ Ertug\u0306rul Og\u0306uz F\u0131rat-Bilge Karasu Okumak \/ S\u0131tk\u0131 M. Erinc\u0327 \u2013 Edebiyat Ac\u0327\u0131s\u0131ndan Bilge Karasu \/ Ays\u0327e (Eziler) K\u0131ran \u2013 Narla I\u0307ncire Gazel: Gazel Formunda Bir Postmodern Anlat\u0131 \/ S. Dilek Yalc\u0327\u0131n \u2013 Bilge Karasu \u2013 Karanl\u0131ktan Is\u0327\u0131g\u0306a \/&hellip;<\/p>\n","protected":false},"author":1,"featured_media":49,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[2],"tags":[],"class_list":["post-78","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-sayilar"],"_links":{"self":[{"href":"https:\/\/www.frankofoni.com.tr\/tr\/wp-json\/wp\/v2\/posts\/78","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.frankofoni.com.tr\/tr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.frankofoni.com.tr\/tr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.frankofoni.com.tr\/tr\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.frankofoni.com.tr\/tr\/wp-json\/wp\/v2\/comments?post=78"}],"version-history":[{"count":1,"href":"https:\/\/www.frankofoni.com.tr\/tr\/wp-json\/wp\/v2\/posts\/78\/revisions"}],"predecessor-version":[{"id":79,"href":"https:\/\/www.frankofoni.com.tr\/tr\/wp-json\/wp\/v2\/posts\/78\/revisions\/79"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.frankofoni.com.tr\/tr\/wp-json\/wp\/v2\/media\/49"}],"wp:attachment":[{"href":"https:\/\/www.frankofoni.com.tr\/tr\/wp-json\/wp\/v2\/media?parent=78"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.frankofoni.com.tr\/tr\/wp-json\/wp\/v2\/categories?post=78"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.frankofoni.com.tr\/tr\/wp-json\/wp\/v2\/tags?post=78"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}