{"id":76,"date":"1996-01-01T00:00:36","date_gmt":"1995-12-31T21:00:36","guid":{"rendered":"http:\/\/www.frankofoni.com.tr\/?p=76"},"modified":"2019-10-29T20:27:50","modified_gmt":"2019-10-29T17:27:50","slug":"ortak-kitap-no-8-1996","status":"publish","type":"post","link":"https:\/\/www.frankofoni.com.tr\/tr\/ortak-kitap-no-8-1996\/","title":{"rendered":"Ortak Kitap No : 8 &#8211; 1996"},"content":{"rendered":"<p><strong>BAUDELAIRE O\u0308ZEL BO\u0308LU\u0308MU\u0308 (III) DOSSIER BAUDELAIRE (III)<br \/>\n<\/strong>Uyus\u0327umlar Theoria\u2019s\u0131na Bir Giris\u0327 Denemesi \/ <strong>Tug\u0306rul I\u0307nal <\/strong>\u2013 Baudelaire\u2019de C\u0327ag\u0306r\u0131s\u0327\u0131mlar \/ <strong>A. Hamit Sunel <\/strong>\u2013 Dikey ve Yatay Uyus\u0327umlar: Evrensel Benzes\u0327me ve Es\u0327duyum \/ <strong>Abidin Emre <\/strong>\u2013 S\u0327iirimiz ve Baudelaire \/ <strong>Sevim Akten <\/strong>\u2013 Baudelaire\u2019den Taranc\u0131\u2019ya Kokular, Renkler ve Sesler\u201d \/ <strong>Kemal O\u0308zmen <\/strong>\u2013 Baudelaire\u2019den Vassaf\u2019a Kanat Sesleri \/ <strong>Gu\u0308rkan Dog\u0306an <\/strong>\u2013 Laforgue, Baudelaire, T.S. Eliot ve Modernist S\u0327iirin O\u0308yku\u0308su\u0308 \/ <strong>Oya (Batum) Mentes\u0327e <\/strong>Baudelaire\u2019in I\u0307ki Yu\u0308zu\u0308: Jean \u2013 Paul Sartre ve Jean Pierre Richard \/ <strong>M. Emin O\u0308zcan<\/strong><\/p>\n<p><strong>C\u0327ES\u0327I\u0307TLI\u0307 I\u0307NCELEMELER \/ CONSIDE\u0301RATIONS GE\u0301NE\u0301RALES<br \/>\n<\/strong>Kars\u0327\u0131las\u0327t\u0131rmal\u0131 Bir Bak\u0131s\u0327 Ac\u0327\u0131s\u0131ndan Aziz Nesin: Gecikmis\u0327 Tu\u0308rk Ayd\u0131nlanmas\u0131 ve Romantizmin Ayd\u0131n\u0131 \/ <strong>Sevinc\u0327 O\u0308zer <\/strong>\u2013 Bir Du\u0308s\u0327e Yolculukta I\u0307lk Durak : Haldun Taner\u2019in \u201cEller\u201di \/ <strong>S\u0131d\u0131ka Dilek Yalc\u0327\u0131n <\/strong>\u2013 The historical analysis of the concept of chivalry in Malory\u2019s Morte d\u2019Arthur \/ <strong>Ufuk Ege <\/strong>\u2013 Les mots et leurs sens \/ <strong>Sevim So\u0308nmez <\/strong>\u2013 Un point de vue didactique sur la notion d\u2019e\u0301quivalence en traductologie \/ <strong>U\u0308mran Derkunt <\/strong>\u2013 La marqueur \/ <strong>A. Nalan Yaras\u0327 <\/strong>\u2013 Le langage, te\u0301moin ou victime de son temps \/ <strong>Esma I\u0307nce <\/strong>\u2013 De la photographie a\u0300 la fiction (I) <strong>Emine Demirel <\/strong>\u2013 Lexiculture et les publicite\u0301s \/ <strong>S\u0327eref Kara <\/strong>\u2013 La belgitude et le symbolisme dans la vie et dans l\u2019ouevre de Maurice Maeterlinck \/ <strong>Ljiiljana Matic <\/strong>\u2013 Sophie de Condorcet: Ayd\u0131nlanma C\u0327ag\u0306\u0131nda Halk I\u0307c\u0327in Savas\u0327an Soylu Bir Kad\u0131n \/ <strong>Jale Erlat <\/strong>\u2013 Condorcet ve I\u0307nsan\u0131n Dog\u0306al Haklar\u0131 \/ <strong>Gu\u0308l Tekay Baysan <\/strong>\u2013 Pe\u0301dagogie de Voltaire dans Jeannot et Colin \/ <strong>Sibel Bozbeyog\u0306lu <\/strong>\u2013 Jean &#8211; Jacques Rousseau, disciple original de John Locke \/ <strong>Ays\u0327e Alper <\/strong>\u2013 Cette \u201cpetite litte\u0301rature\u201d, cre\u0301atrice de mythes \/ <strong>Jean-Louis Mattei <\/strong>\u2013 Balzac\u2019ta Betimleme \u2013 Kurgu I\u0307kilemi ve Bir O\u0308rnek: Euge\u0301nie Grandet \/ <strong>Abdullatif Acarl\u0131og\u0306lu <\/strong>\u2013 La dichotome fondamentale du fanstastique dans \u201cL\u2019Auberkge\u201d de Guy de Maupassant \/ <strong>Ayten Er <\/strong>\u2013 Yolculuk Anlat\u0131s\u0131 Nedir? \/ <strong>Kubilay Aktulum <\/strong>\u2013 Paul Eluard ve Kus\u0327lar \/ <strong>Galip Bald\u0131ran <\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"<p>BAUDELAIRE O\u0308ZEL BO\u0308LU\u0308MU\u0308 (III) DOSSIER BAUDELAIRE (III) Uyus\u0327umlar Theoria\u2019s\u0131na Bir Giris\u0327 Denemesi \/ Tug\u0306rul I\u0307nal \u2013 Baudelaire\u2019de C\u0327ag\u0306r\u0131s\u0327\u0131mlar \/ A. Hamit Sunel \u2013 Dikey ve Yatay Uyus\u0327umlar: Evrensel Benzes\u0327me ve Es\u0327duyum \/ Abidin Emre \u2013 S\u0327iirimiz ve Baudelaire \/ Sevim Akten \u2013 Baudelaire\u2019den Taranc\u0131\u2019ya Kokular, Renkler ve Sesler\u201d \/ Kemal O\u0308zmen \u2013 Baudelaire\u2019den Vassaf\u2019a Kanat&hellip;<\/p>\n","protected":false},"author":1,"featured_media":49,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[2],"tags":[],"class_list":["post-76","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-sayilar"],"_links":{"self":[{"href":"https:\/\/www.frankofoni.com.tr\/tr\/wp-json\/wp\/v2\/posts\/76","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.frankofoni.com.tr\/tr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.frankofoni.com.tr\/tr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.frankofoni.com.tr\/tr\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.frankofoni.com.tr\/tr\/wp-json\/wp\/v2\/comments?post=76"}],"version-history":[{"count":1,"href":"https:\/\/www.frankofoni.com.tr\/tr\/wp-json\/wp\/v2\/posts\/76\/revisions"}],"predecessor-version":[{"id":77,"href":"https:\/\/www.frankofoni.com.tr\/tr\/wp-json\/wp\/v2\/posts\/76\/revisions\/77"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.frankofoni.com.tr\/tr\/wp-json\/wp\/v2\/media\/49"}],"wp:attachment":[{"href":"https:\/\/www.frankofoni.com.tr\/tr\/wp-json\/wp\/v2\/media?parent=76"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.frankofoni.com.tr\/tr\/wp-json\/wp\/v2\/categories?post=76"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.frankofoni.com.tr\/tr\/wp-json\/wp\/v2\/tags?post=76"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}