{"id":147,"date":"2020-04-03T16:31:08","date_gmt":"2020-04-03T13:31:08","guid":{"rendered":"http:\/\/www.frankofoni.com.tr\/?p=147"},"modified":"2024-07-01T15:33:29","modified_gmt":"2024-07-01T12:33:29","slug":"ortak-kitabi-no-36-2020","status":"publish","type":"post","link":"https:\/\/www.frankofoni.com.tr\/tr\/ortak-kitabi-no-36-2020\/","title":{"rendered":"Ortak Kitab\u0131 No : 36 – 2020"},"content":{"rendered":"

Jenerik Dosyas\u0131<\/a><\/strong><\/p>\n

Edit\u00f6rden
\nTu\u011frul \u0130NAL<\/a><\/strong><\/p>\n

BAUDELAIRE DOSYASI (XXVII) \/ DOSSIER BAUDELAIRE (XXVII)<\/strong><\/p>\n

Baudelaire \u0130\u00e7in Dramatik Bir Okuma XVIII – Senfonik \u015eiir XII Bir \u201cT\u00fcr\u201d \u015eiir-Tiyatro \u0130\u00e7in Bir Empati Denemesi
\nTu\u011frul \u0130nal<\/a><\/strong>
\n\u201cModern Hayat\u0131n Ressam\u0131\u201d G\u00f6z\u00fcyle Paris\u2019ten \u015eiirsel Yoksulluk Manzaralar\u0131
\nNedim Kula<\/a><\/strong>
\nBaudelaire\u2019in K\u00f6t\u00fcl\u00fck \u00c7i\u00e7ekleri\u2019nde \u015eiddet
\n\u015eevket Kad\u0131o\u011flu<\/a><\/strong>
\nBaudelaire ve Uyar’da Kent S\u0131k\u0131nt\u0131s\u0131
\nYavuz K\u0131z\u0131l\u00e7im<\/a><\/strong>
\nLes figures du boh\u00e8me dans l\u2019oeuvre de Baudelaire
\nSaadia Rahali<\/a><\/strong>
\nLa modernit\u00e9 po\u00e9tique baudelairienne
\nAbdelhakim Moucherif<\/a><\/strong><\/p>\n

\u00c7E\u015e\u0130TL\u0130 \u0130NCELEMELER DOSYASI \/ CONSID\u00c9RATIONS G\u00c9N\u00c9RALES<\/strong><\/p>\n

Faust Miti \u00dczerine\u2026 Bizim Neden Bir Faust\u2019umuz Yok ? (I)
\nKemal \u00d6zmen<\/a><\/strong>
\n\u00ab Annie \u00bb, le premier amour d\u2019Apollinaire, perdue et retrouv\u00e9e : histoire d\u2019une longue enqu\u00eate litt\u00e9raire
\nClaude-Alain Chevallier<\/a><\/strong>
\nGer\u00e7e\u011fin Pe\u015finde \u0130ki Kad\u0131n Marguerite Duras ve Leyla Erbil
\nSevim Akten<\/a><\/strong>
\nS\u00f6ylenden Romana Bir Uygulama Michel Tournier\u2019nin Cuma ya da Yaban Ya\u015fam\u0131
\nOsman Senemo\u011flu<\/a><\/strong>
\nSalt \u015eiir : Val\u00e9ry\u2019den Edgar Poe\u2019ya
\nFahrettin Arslan<\/a><\/strong>
\nEdebiyata Yans\u0131malar\u0131yla Krali\u00e7e I. Elizabeth ile Alen\u00e7on ve Anjou D\u00fck\u00fc Fran\u00e7ois Hercule\u2019\u00fcn Evlilik G\u00f6r\u00fc\u015fmeleri
\nHande Seber<\/a><\/strong>
\nAdalet A\u011fao\u011flu\u2019nun Yaz\u0131nsal \u00d6zellikleri: Romantik Bir Viyana Yaz\u0131
\nS. Seza Y\u0131lanc\u0131o\u011flu<\/a><\/strong>
\nBeckett\u2019in K\u0131sa Filmlerinde \u0130nsan\u0131n Konumu
\nAylin Bayrak\u00e7eken Ak\u0131n<\/a><\/strong>
\nD\u00e9pouillement formel et transmutation du vide dans Si la musique doit mourir de Tahar Bekri
\nMaroua Derouiche<\/a><\/strong>
\nOsman Hamdi Bey\u2019in Komedileri
\nEkrem Aksoy<\/a><\/strong>
\nCumhuriyet\u2019in \u0130lk Y\u0131llar\u0131ndaki T\u00fcrk Tiyatrosu\u2019na Genel Bir Bak\u0131\u015f
\nAli Alg\u00fcl<\/a><\/strong>
\nTan\u0131t\u0131m – Salt \u015eiir
\nHenri Br\u00e9mond – \u00c7ev. Fahrettin Arslan<\/a><\/strong><\/p>\n

Tarama Yay\u0131nlar<\/a><\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"

Jenerik Dosyas\u0131 Edit\u00f6rden Tu\u011frul \u0130NAL BAUDELAIRE DOSYASI (XXVII) \/ DOSSIER BAUDELAIRE (XXVII) Baudelaire \u0130\u00e7in Dramatik Bir Okuma XVIII – Senfonik \u015eiir XII Bir \u201cT\u00fcr\u201d \u015eiir-Tiyatro \u0130\u00e7in Bir Empati Denemesi Tu\u011frul \u0130nal \u201cModern Hayat\u0131n Ressam\u0131\u201d G\u00f6z\u00fcyle Paris\u2019ten \u015eiirsel Yoksulluk Manzaralar\u0131 Nedim Kula Baudelaire\u2019in K\u00f6t\u00fcl\u00fck \u00c7i\u00e7ekleri\u2019nde \u015eiddet \u015eevket Kad\u0131o\u011flu Baudelaire ve Uyar’da Kent S\u0131k\u0131nt\u0131s\u0131 Yavuz K\u0131z\u0131l\u00e7im Les…<\/p>\n","protected":false},"author":1,"featured_media":49,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[2],"tags":[],"class_list":["post-147","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-sayilar"],"_links":{"self":[{"href":"https:\/\/www.frankofoni.com.tr\/tr\/wp-json\/wp\/v2\/posts\/147","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.frankofoni.com.tr\/tr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.frankofoni.com.tr\/tr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.frankofoni.com.tr\/tr\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.frankofoni.com.tr\/tr\/wp-json\/wp\/v2\/comments?post=147"}],"version-history":[{"count":5,"href":"https:\/\/www.frankofoni.com.tr\/tr\/wp-json\/wp\/v2\/posts\/147\/revisions"}],"predecessor-version":[{"id":178,"href":"https:\/\/www.frankofoni.com.tr\/tr\/wp-json\/wp\/v2\/posts\/147\/revisions\/178"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.frankofoni.com.tr\/tr\/wp-json\/wp\/v2\/media\/49"}],"wp:attachment":[{"href":"https:\/\/www.frankofoni.com.tr\/tr\/wp-json\/wp\/v2\/media?parent=147"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.frankofoni.com.tr\/tr\/wp-json\/wp\/v2\/categories?post=147"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.frankofoni.com.tr\/tr\/wp-json\/wp\/v2\/tags?post=147"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}