{"id":108,"date":"2012-01-01T00:00:35","date_gmt":"2011-12-31T21:00:35","guid":{"rendered":"http:\/\/www.frankofoni.com.tr\/?p=108"},"modified":"2019-10-29T20:52:49","modified_gmt":"2019-10-29T17:52:49","slug":"ortak-kitap-no-24-2012","status":"publish","type":"post","link":"https:\/\/www.frankofoni.com.tr\/tr\/ortak-kitap-no-24-2012\/","title":{"rendered":"Ortak Kitap No : 24 &#8211; 2012"},"content":{"rendered":"<p><strong>CHARLES BAUDELAIRE O\u0308ZEL BO\u0308LU\u0308MU\u0308 (XIX) \/ DOSSIER CHARLES BAUDELAIRE (XIX)<br \/>\n<\/strong>Baudelaire I\u0307c\u0327in Dramatik Bir Okuma (IX) \/ <strong>Tug\u0306rul I\u0307nal <\/strong>\u2013 Baudelaire\u2019nin Kaynaklar\u0131 (III) : Poe ve C\u0327al\u0131nan Mektup \/ <strong>M. Emin O\u0308zcan <\/strong>\u2013 Baudelaire\u2019in U\u0308c\u0327 S\u0327iirinde Musiki-Resim-Heykel Sanatlar\u0131ndan Yans\u0131malar \/ <strong>Nedim Kula<br \/>\n<\/strong><\/p>\n<p><strong>ZI\u0307YA OSMAN SABA O\u0308ZEL BO\u0308LU\u0308MU\u0308 \/ DOSSIER ZI\u0307YA OSMAN SABA<br \/>\n<\/strong>Ziya Osman Saba I\u0307c\u0327in Dramatik Bir Okuma \/ <strong>Tug\u0306rul I\u0307nal <\/strong>\u2013 Bir Mutluluk Seru\u0308veni ve Ziya Osman Saba \/ <strong>Kemal O\u0308zmen<br \/>\n<\/strong><\/p>\n<p><strong>ANDRE\u0301 MALRAUX O\u0308ZEL BO\u0308LU\u0308MU\u0308 \/ DOSSIER ANDRE\u0301 MALRAUX<br \/>\n<\/strong>Andre\u0301 Malraux\u2019da Tarih ve Kis\u0327i u\u0308zerine \/ <strong>Kemal O\u0308zmen <\/strong>\u2013 Le tableau et le sang &#8211; Des ho\u0302pitaux dans l\u2019Espoir \/ <strong>Marie Sophie Doudet <\/strong>\u2013 Actualite\u0301 d\u2019Andre\u0301 Malraux \/ <strong>Marie Geffray<br \/>\n<\/strong><\/p>\n<p><strong>C\u0327ES\u0327I\u0307TLI\u0307 I\u0307NCELEMELER \/ CONSIDE\u0301RATIONS GE\u0301NE\u0301RALES<br \/>\n<\/strong>Art et The\u0301rapie \/ <strong>Lelia Trocan <\/strong>\u2013 Attrait pour le de\u0301sert au XXe sie\u0300cle franc\u0327ais et l\u2019espace e\u0301quivalent europe\u0301en \/ <strong>Kalliopi Ploumistaki<\/strong>\u2013Segalen ou la passion de la diffe\u0301rence : le concept a\u0300 l\u2019\u0153uvre dans l\u2019Essai sur l\u2019exotisme \/ <strong>Jean-Pierre Zarader <\/strong>\u2013 Langue et espace dans Chronique de Saint-John Perse \/ <strong>Gleen W. Fetzer <\/strong>\u2013 \u00abConnai\u0302tre\u00bb l\u2019autre a\u0300 travers l\u2019apprentissage de sa langue. Le Voyage en more\u0301e de F.C.H.L. Pouqueville \/ <strong>Alexis Kalessis <\/strong>\u2013 Andre\u0301 Gide ve Paul Vale\u0301ry\u2019de Narkissos Miti ve C\u0327ag\u0306r\u0131s\u0327t\u0131rd\u0131klar\u0131 \/ <strong>Duran I\u0307c\u0327el <\/strong>\u2013 \u00abLe venin du fantastique\u00bb : Sur le seuil de Patrick Sene\u0301cal \/ <strong>Voichita-Maria Sasu <\/strong>\u2013 An I\u0307c\u0327inde Sonsuzlug\u0306u Bulmak: Marguerite Duras\u2019\u0131n Sevgili\u2019si \/ <strong>Hanife Nalan Genc\u0327 <\/strong>\u2013 Les racines &#8211; Cela n\u2019existe pas. Quelques re\u0301flexions sur l\u2019oeuvre dramatique de Bernard-Marie Kolte\u0300s \/ <strong>Grazyna Starak <\/strong>\u2013 Annie Ernaux\u2019nun Bir Kad\u0131n Adl\u0131 Roman\u0131nda Anne I\u0307mgesi \/ <strong>Esma So\u0308nmez <\/strong>\u2013 Femmes de lettres franc\u0327aises et turques au XXe\u0300me sie\u0300cle de 1968 a\u0300 nos jours (4) \/ <strong>Jale Erlat \u2013 Damla S\u0327ikel <\/strong>\u2013 Stephenie Meyer\u2019\u0131n New Moon Adl\u0131 Roman\u0131n\u0131n Tu\u0308rkc\u0327e ve Frans\u0131zca C\u0327evirilerine Yorumlay\u0131c\u0131 Bir Yaklas\u0327\u0131m \/ <strong>Serhan Dindar <\/strong>\u2013 Mu\u0308zik ve Metinleraras\u0131l\u0131k (I) : Kuram \/ <strong>Kubilay Aktulum <\/strong>\u2013 Abla Farhoud : La polyphonie de la solitude et de l\u2019alie\u0301nation dans Le fou d\u2019Omar \/ <strong>Arzu Etensel I\u0307ldem <\/strong>\u2013 La ge\u0301ographie poe\u0301tique de Jacques Brel \/ <strong>Nizamettin Kasap <\/strong>\u2013 Osmanl\u0131 Toplumunun Bat\u0131l\u0131las\u0327mas\u0131nda Go\u0308c\u0327u\u0308n Etkisi Ve Taaffu\u0308f \/ <strong>Canan O\u0308ktemgil Turgut <\/strong>\u2013 Sabahattin Ali\u2019nin Romanlar\u0131nda \u201cBen\u201di Yo\u0308neten I\u0307rade \/ <strong>Refika Alt\u0131kulac\u0327 Demirdag\u0306 <\/strong>\u2013 Tahsin Yu\u0308cel: Sonuncu\u2019nun Yerlemleri \/ <strong>Sevim Akten <\/strong>\u2013 Hilmi Yavuz\u2019un S\u0327iirinde So\u0308z Sanatlar\u0131, So\u0308zcu\u0308k Oyunlar\u0131 ve S\u0327iirsel Figu\u0308rler \/ <strong>Abdu\u0308lhalim Ayd\u0131n <\/strong>\u2013 Orhan Pamuk\u2019un Kar Roman\u0131n\u0131 I\u0307mgeleriyle Okumak \/ <strong>Mu\u0308mtaz Kaya <\/strong>\u2013 1985- 2010 Y\u0131llar\u0131 Aras\u0131nda Tu\u0308rkiye\u2019de Frans\u0131z Dili Ve Edebiyat\u0131 Alan\u0131nda Yap\u0131lan Lisansu\u0308stu\u0308 Tezler U\u0308zerine Bir C\u0327o\u0308zu\u0308mleme \/ <strong>Erdog\u0306an Kartal <\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"<p>CHARLES BAUDELAIRE O\u0308ZEL BO\u0308LU\u0308MU\u0308 (XIX) \/ DOSSIER CHARLES BAUDELAIRE (XIX) Baudelaire I\u0307c\u0327in Dramatik Bir Okuma (IX) \/ Tug\u0306rul I\u0307nal \u2013 Baudelaire\u2019nin Kaynaklar\u0131 (III) : Poe ve C\u0327al\u0131nan Mektup \/ M. Emin O\u0308zcan \u2013 Baudelaire\u2019in U\u0308c\u0327 S\u0327iirinde Musiki-Resim-Heykel Sanatlar\u0131ndan Yans\u0131malar \/ Nedim Kula ZI\u0307YA OSMAN SABA O\u0308ZEL BO\u0308LU\u0308MU\u0308 \/ DOSSIER ZI\u0307YA OSMAN SABA Ziya Osman Saba&hellip;<\/p>\n","protected":false},"author":1,"featured_media":49,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[2],"tags":[],"class_list":["post-108","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-sayilar"],"_links":{"self":[{"href":"https:\/\/www.frankofoni.com.tr\/tr\/wp-json\/wp\/v2\/posts\/108","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.frankofoni.com.tr\/tr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.frankofoni.com.tr\/tr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.frankofoni.com.tr\/tr\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.frankofoni.com.tr\/tr\/wp-json\/wp\/v2\/comments?post=108"}],"version-history":[{"count":1,"href":"https:\/\/www.frankofoni.com.tr\/tr\/wp-json\/wp\/v2\/posts\/108\/revisions"}],"predecessor-version":[{"id":109,"href":"https:\/\/www.frankofoni.com.tr\/tr\/wp-json\/wp\/v2\/posts\/108\/revisions\/109"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.frankofoni.com.tr\/tr\/wp-json\/wp\/v2\/media\/49"}],"wp:attachment":[{"href":"https:\/\/www.frankofoni.com.tr\/tr\/wp-json\/wp\/v2\/media?parent=108"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.frankofoni.com.tr\/tr\/wp-json\/wp\/v2\/categories?post=108"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.frankofoni.com.tr\/tr\/wp-json\/wp\/v2\/tags?post=108"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}