{"id":104,"date":"2010-01-01T00:00:45","date_gmt":"2009-12-31T21:00:45","guid":{"rendered":"http:\/\/www.frankofoni.com.tr\/?p=104"},"modified":"2019-10-29T20:49:05","modified_gmt":"2019-10-29T17:49:05","slug":"ortak-kitap-no-22-2010","status":"publish","type":"post","link":"https:\/\/www.frankofoni.com.tr\/tr\/ortak-kitap-no-22-2010\/","title":{"rendered":"Ortak Kitap No : 22 &#8211; 2010"},"content":{"rendered":"<p><strong>CHARLES BAUDELAIRE O\u0308ZEL BO\u0308LU\u0308MU\u0308 (XVII) \/ DOSSIER CHARLES BAUDELAIRE (XVII)<\/strong><\/p>\n<p>Baudelaire I\u0307c\u0327in Dramatik Bir Okuma (VIII) \/ <strong>Tug\u0306rul I\u0307nal <\/strong>\u2013 Baudelaire Haf\u0131zas\u0131: \u201cKug\u0306u\u201d-I \/ <strong>M. Emin O\u0308zcan<\/strong>\u2013 \u201cAndre\u0301 Gide\u2019in <em>Kad\u0131nlar Okulu\u2019<\/em>nda Baudelaire\u2019in U\u0308c\u0327 S\u0327iiri \/ <strong>Nedim Kula<\/strong><\/p>\n<p><strong>MARGUERITE DURAS O\u0308ZEL BO\u0308LU\u0308MU\u0308 (III) \/ DOSSIER MARGUERITE DURAS (III)<\/strong><\/p>\n<p>L\u2019Orientetsondouble\/<strong>Tug\u0306rulI\u0307nal<\/strong>\u2013 L\u2019Orient:MargueriteDuras,DanyLaferrie\u0300reetMontesquerite \/ <strong>Roxaneh Naghshi <\/strong>\u2013 La dialectique de la subjectivation dans <em>L\u2019Amant <\/em>de Marguerite Duras \/ <strong>Sarah Gaspari <\/strong>\u2013 Bir Erkek, Bir Kad\u0131n, I\u0307ki As\u0327k: Marguerite Duras\u2019\u0131n <em>Ayr\u0131l\u0131k Mu\u0308zig\u0306i <\/em>\/ <strong>Nalan Genc\u0327<\/strong><\/p>\n<p><strong>C\u0327ES\u0327I\u0307TLI\u0307 I\u0307NCELEMELER \/ CONSIDE\u0301RATIONS GE\u0301NE\u0301RALES<\/strong><\/p>\n<p>Tu\u0308rk Edebiyat\u0131nda Latin Edebiyat\u0131 U\u0308zerine Yap\u0131lan c\u0327al\u0131s\u0327malar \/ <strong>Dilek Yalc\u0327\u0131n <\/strong>\u2013 Tu\u0308rk Edebiyat\u0131nda Necati Cumali, Balkanlar ve <em>Viran Dag\u0306lar <\/em>Roman\u0131 \/ <strong>Hale Seval <\/strong>\u2013 Ataol Behramo\ufffdlu\u2019nun <em>Hayata Uzun Veda\u2019<\/em>s\u0131 ya da Modern Theseus\u2019un I\u0307zinde \/ <strong>Kemal O\u0308zmen <\/strong>\u2013 Farkl\u0131 Bir Orphe\u0301e O\u0308yku\u0308su\u0308 : Anouilh\u2019un <em>Eurydice\u2019<\/em>i \/ <strong>Ertug\u0306rul I\u0307s\u0327ler <\/strong>\u2013 <em>The\u0301re\u0300se Desqueyroux\u2019<\/em>da Bic\u0327im ve I\u0307c\u0327erik \/ <strong>Ekrem Aksoy <\/strong>\u2013 Marie Ferranti\u2019nin <em>Mantova Prensesi <\/em>Adl\u0131 Roman\u0131na Yeni Tarihselci Bir Yaklas\u0327\u0131m\/<strong>Ali Tilbe <\/strong>\u2013Yeniden C\u0327eviri:Yazara Do\u0308nu\u0308s\u0327 (mu\u0308)? \/ <strong>Fahrettin Aslan <\/strong>\u2013 C\u0327eviri Kuram\u0131ndan Uygulamaya, Uygulamadan Kurama&#8230; \/ <strong>Eylem Aksoy Alp <\/strong>\u2013 Hu\u0308seyin Co\u0308ntu\u0308rk, I\u0307kinci Yeni S\u0327iiri ve Atonal Mu\u0308zik \/ <strong>Abidin Emre <\/strong>\u2013 Modern S\u0327iir, II. Yeni ve Hilmi Yavuz O\u0308rneg\u0306i \/ <strong>Abdu\u0308lhalim Ayd\u0131n <\/strong>\u2013 Yaz\u0131n ve Bilim \/ <strong>Kubilay Aktulum <\/strong>\u2013 C\u0327okuluslu Kapitalizm, Popu\u0308ler Ku\u0308ltu\u0308r ve Estetik \/ <strong>Oya Mentes\u0327e <\/strong>\u2013 Hegel ve Edebiyat \/ <strong>Onur Bilge Kula <\/strong>\u2013 I\u0307nsan ve Teknoloji \/ <strong>I\u0307smail H. Demirdo\u0308ven <\/strong>\u2013 Vers une nouvelle e\u0301thique courtoise\/ <strong>Voichit.a-Maria Sasu <\/strong>\u2013 La petite mascarade \/ <strong>Nedim Gu\u0308rsel <\/strong>\u2013 Le Conte philosophique classique et moderne, continuite\u0301 ou rupture: Voltaire, Antoine de Saint Exupe\u0301ry et Franc\u0327ois Lelord \/ <strong>Sylwia Molon \u0301 <\/strong>\u2013 Les larmes hugoliennes: <em>Bug-Jargal, Notre-Dame de Paris, L\u2019Homme qui rit <\/em>\/ <strong>Ewa Wierbowska <\/strong>\u2013 Occidentalisme versus Orientalisme : l\u2019Europe a\u0300 l\u2019image des intellectuels ottomans a\u0300 la fin du XIX. et au de\u0301but du XX. Sie\u0300cles \/ <strong>Arzu Etensel I\u0307ldem <\/strong>\u2013 Jean More\u0301as, entre l\u2019esthe\u0301tisme et l\u2019e\u0301gocentrisme nationaliste \/ <strong>Georges Fre\u0301ris <\/strong>\u2013 Femmes de lettres franc\u0327aises et turques au XXe\u0300me sie\u0300cle \/ <strong>Jale Erlat \u2013 Damla S\u0327\u0131kel <\/strong>\u2013 Structures textuelles dans <em>Paysan de Paris <\/em>d\u2019Aragon et <em>Galata <\/em>et Pera d\u2019I\u0307lhan Berk\/ <strong>Ceren O\u0308zgu\u0308ler <\/strong>\u2013 Quelques aspects du the\u0301a\u0302tre dans le the\u0301a\u0302tre dans <em>La Re\u0301pe\u0301tition ou L\u2019Amour puni <\/em>de Jean Anouilh \/ <strong>Marta Kupisiewicz <\/strong>\u2013 <em>Erreur de Construction <\/em>ou dialogue de Lagarce avec Ionesco \/ <strong>Arzu Kunt <\/strong>\u2013 Les images privile\u0301gie\u0301es dans le the\u0301a\u0302tre d\u2019Ionesco\/ <strong>Bahattin Sav<\/strong> \u2013 Polyphonie a\u0300 travers des ste\u0301re\u0301otypes: une lecture de <em>L\u2019Usage de la parole de <\/em>Nathalie Sarraute \/ <strong>Duran I\u0307c\u0327el <\/strong>\u2013 Le \u00abMiroir\u00bb criminel du sentiment et du sexe &#8211; A\u0300 propos de <em>Un Roman sentimental <\/em>(2007) d\u2019Alain Robbe-Grillet (I) \/ <strong>Jean-Michel Deve\u0301sa <\/strong>\u2013 Georges Perec\u2019in <em>W ya da Bir C\u0327ocukluk Hat\u0131ras\u0131\u2019<\/em>nda Yoklug\u0306un Simgesel Anlat\u0131m\u0131\/ <strong>Damla S\u0327\u0131kel <\/strong>\u2013 Le temps palimpseste: Me\u0301moire, photos et e\u0301criture dans Les anne\u0301es d`Annie Ernaux \/ <strong>Jolanta Rachwalska von Rejchwald <\/strong>\u2013 He\u0301le\u0300ne Dorion, figure phare de la poe\u0301sie que\u0301be\u0301coise d\u2019aujourd\u2019hui \/ <strong>Ljiljana Matic <\/strong>\u2013 Les objets dans le nouveau fantastique d\u2019expression franc\u0327aise \/ <strong>Katarzyna Gadomska <\/strong>\u2013 L\u2019E\u0301tranger dans la langue \/ <strong>Edmond Nogacki <\/strong>\u2013 Le me\u0301tissage des civilisations \/ <strong>Lelia Trocan. <\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"<p>CHARLES BAUDELAIRE O\u0308ZEL BO\u0308LU\u0308MU\u0308 (XVII) \/ DOSSIER CHARLES BAUDELAIRE (XVII) Baudelaire I\u0307c\u0327in Dramatik Bir Okuma (VIII) \/ Tug\u0306rul I\u0307nal \u2013 Baudelaire Haf\u0131zas\u0131: \u201cKug\u0306u\u201d-I \/ M. Emin O\u0308zcan\u2013 \u201cAndre\u0301 Gide\u2019in Kad\u0131nlar Okulu\u2019nda Baudelaire\u2019in U\u0308c\u0327 S\u0327iiri \/ Nedim Kula MARGUERITE DURAS O\u0308ZEL BO\u0308LU\u0308MU\u0308 (III) \/ DOSSIER MARGUERITE DURAS (III) L\u2019Orientetsondouble\/Tug\u0306rulI\u0307nal\u2013 L\u2019Orient:MargueriteDuras,DanyLaferrie\u0300reetMontesquerite \/ Roxaneh Naghshi \u2013 La dialectique&hellip;<\/p>\n","protected":false},"author":1,"featured_media":49,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[2],"tags":[],"class_list":["post-104","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-sayilar"],"_links":{"self":[{"href":"https:\/\/www.frankofoni.com.tr\/tr\/wp-json\/wp\/v2\/posts\/104","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.frankofoni.com.tr\/tr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.frankofoni.com.tr\/tr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.frankofoni.com.tr\/tr\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.frankofoni.com.tr\/tr\/wp-json\/wp\/v2\/comments?post=104"}],"version-history":[{"count":1,"href":"https:\/\/www.frankofoni.com.tr\/tr\/wp-json\/wp\/v2\/posts\/104\/revisions"}],"predecessor-version":[{"id":105,"href":"https:\/\/www.frankofoni.com.tr\/tr\/wp-json\/wp\/v2\/posts\/104\/revisions\/105"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.frankofoni.com.tr\/tr\/wp-json\/wp\/v2\/media\/49"}],"wp:attachment":[{"href":"https:\/\/www.frankofoni.com.tr\/tr\/wp-json\/wp\/v2\/media?parent=104"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.frankofoni.com.tr\/tr\/wp-json\/wp\/v2\/categories?post=104"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.frankofoni.com.tr\/tr\/wp-json\/wp\/v2\/tags?post=104"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}