{"id":92,"date":"2004-01-01T00:00:58","date_gmt":"2003-12-31T21:00:58","guid":{"rendered":"http:\/\/www.frankofoni.com.tr\/?p=92"},"modified":"2019-10-29T20:40:11","modified_gmt":"2019-10-29T17:40:11","slug":"ortak-kitap-no-16-2004","status":"publish","type":"post","link":"https:\/\/www.frankofoni.com.tr\/fr\/ortak-kitap-no-16-2004\/","title":{"rendered":"Ortak Kitap No : 16 &#8211; 2004"},"content":{"rendered":"<p><strong>CHARLES BAUDELAIRE O\u0308ZEL BO\u0308LU\u0308MU\u0308 (XI) \/ DOSSIER CHARLES BAUDELAIRE (XI) <\/strong><\/p>\n<p>Baudelaire I\u0307c\u0327in Dramatik Bir Okuma (II) \/ <strong>Tug\u0306rul I\u0307nal <\/strong>\u2013 Baudelaire\u2019\u0131n <em>C\u0327ift Go\u0308ru\u0308nu\u0308mlu\u0308 Oda<\/em>\u2019s\u0131nda Yans\u0131malar \/ <strong>A. Hamit Sunel <\/strong>\u2013 Albatros \/ <strong>Abidin Emre <\/strong>\u2013 <em>Ko\u0308tu\u0308lu\u0308k C\u0327ic\u0327ekleri\u2019<\/em>nde \u201cYolculuk\u201d Eg\u0306retilemesi ve \u201cModernite\u201d \/ <strong>M. Emin O\u0308zcan <\/strong>\u2013 Le voyafe imaginaire a\u0300 travers les vers de Baudelaire \/ <strong>Beki Haleva <\/strong>\u2013 Gec\u0327mis\u0327 Zamandan Kurgulanm\u0131s\u0327 Yas\u0327ama ya da So\u0308zcu\u0308klerin \u201cC\u0327ag\u0306r\u0131s\u0327t\u0131r\u0131c\u0131 Bu\u0308yu\u0308su\u0308\u201d \/ <strong>Kemal O\u0308zmen<\/strong><\/p>\n<p><strong>C\u0327ES\u0327I\u0307TLI\u0307 I\u0307NCELEMELER \/ CONSIDE\u0301RATIONS GE\u0301NE\u0301RALES<br \/>\n<\/strong>Romantisme et re\u0301alite\u0301 dans <em>Le Comte de Monte-Cristo \/ <\/em><strong>Pierre Laforgue <\/strong>\u2013 <em>Les Che\u0302nes qu\u2019on abat&#8230;: <\/em>Andre\u0301 Malraux ou l\u2019esthe\u0301tique de l\u2019interview imaginaire \/ <strong>Abdelaziz Bennis <\/strong>\u2013 Mu\u0308zikal Roman \/ <strong>Tuna Ertem <\/strong>\u2013 Polyphonie de l\u2019espace dans le roman arthurien \/ <strong>Voichita-Maria Sasu <\/strong>\u2013 L\u2019esthe\u0301sie, la pre\u0301sence et l\u2019imperfection dans l\u2019univers de Chateaubriand \/ <strong>Nedret O\u0308ztokat <\/strong>\u2013 L\u2019univers du clair-obscur dans la <em>Cure\u0301e <\/em>de Zola: dispositif et me\u0301taphore \/ <strong>Jolanta Raichwalska Von Rejchwaid \u2013 <\/strong><em>Les Mamelles de Tresias <\/em>d\u2019Apollinaire ou la surre\u0301alite\u0301 sce\u0301nique \/ <strong>Arzu Kunt <\/strong>\u2013 Le motif de la trage\u0301die dans <em>La Porte e\u0301troite <\/em>d\u2019Andre\u0301 Gide \/ <strong>Ertug\u0306rul I\u0307s\u0327ler <\/strong>\u2013 La terminologie savante dans <em>Mort a\u0300 cre\u0301dit <\/em>de <em>Ce\u0301line <\/em>et le proble\u0300me de sa traduction en turc \/ <strong>Gu\u0308lser Rehber C\u0327etin <\/strong>\u2013 A la rencontre de l\u2019autre \/ la dialectique de l\u2019e\u0302tre-en-relation dans <em>Chaque homme dans sa nuit de <\/em>Julien Green \/ <strong>Aleksandra Grzybowska <\/strong>\u2013 <em>Les Bonnes <\/em>et le jeu des masques \/ <strong>H. Na\u0302la\u0302n Genc\u0327 <\/strong>\u2013 Vers l\u2019adoption du caracte\u0300re latin en langue turque \/ <strong>Nevin Haddad <\/strong>\u2013 Brunon Pomposo\u2019nun <em>o\u0308zyas\u0327amo\u0308yku\u0308leri\u2019<\/em>nde Charles-Alb ert Cingria \/ <strong>Nurmelek Demir <\/strong>\u2013 Nicolas Bouvier ou la re\u0301invention du voyage en Orient au XXe sie\u0300cle \/ <strong>Sarga Moussa <\/strong>\u2013 Une re\u0301formiste au pays des esclaves: Madame de Gasparin en Egypte \/ <strong>Arzu Etensel I\u0307ldem <\/strong>\u2013 Eg\u0306itim Roman\u0131 Tu\u0308ru\u0308nde Postmodernist Bir Ac\u0327\u0131l\u0131m: Patric Su\u0308skind\u2019in <em>Koku\u2019<\/em>su \/ <strong>C\u0327ig\u0306dem U\u0308nal <\/strong>\u2013 Un parcours mille\u0301naire- l\u2019Union europe\u0301enne (L\u2019union avec\/sans la Turquie) <strong>Mu\u0308mtaz Kaya <\/strong>\u2013 \u201cO\u0308tekeles\u0327tirilen\u201d Tu\u0308rk ve Tu\u0308rkiye Ac\u0327\u0131s\u0131ndan Alman Du\u0308s\u0327u\u0308n ve Edebiyat Tarihinde Avrupa Kavram\u0131 \/ <strong>Onur Bilge Kula <\/strong>\u2013 Nedim Gu\u0308rsel\u2019in <em>Bir Avuc\u0327 Du\u0308nya\u2019<\/em>s\u0131yla Du\u0308nya Cennetlerine Yolculuk \/ <strong>Tanju I\u0307nal <\/strong>\u2013 Cahit S\u0131tk\u0131\u2019n\u0131n S\u0327iirinde iki Do\u0308nem \/ <strong>Nihayet Arslan <\/strong>\u2013 Erendiz Atasu\u0308 Romanc\u0131l\u0131g\u0306\u0131 ve <em>Bir Yas\u0327 Do\u0308nu\u0308mu\u0308 Ru\u0308yas\u0131 \/ <\/em><strong>Oya Batum Mentes\u0327e <\/strong>\u2013 Sanat\u0131n O\u0308znel Yo\u0308nu\u0308 U\u0308zerine Du\u0308s\u0327u\u0308nceler \/ <strong>Cengiz Ertem <\/strong>\u2013 Kad\u0131n ve Felsefe \/ <strong>Hu\u0308lya Yetis\u0327ken <\/strong>\u2013 <em>Kamelyal\u0131 Kad\u0131n ve Sefiller\u2019<\/em>den <em>I\u0307ntibah, Garam ve Kahpe\u2019<\/em>ye Tematik Bir I\u0307zsu\u0308ru\u0308m \/ <strong>Abdu\u0308lhalim Ayd\u0131n <\/strong>\u2013 Parc\u0327a Yaz\u0131 \/ <strong>Kubilay Aktulum<\/strong><\/p>\n<p><strong>ULUSLARARASI P.E.N KULU\u0308P BO\u0308LU\u0308MU\u0308 \/ DOSSIER LE P.E.N. CLUB INTERNATIONAL <\/strong><\/p>\n<p>Uluslararas\u0131 P.E.N Kulu\u0308p U\u0308zerine \/ <strong>Aysu Erden, Tug\u0306rul I\u0307nal <\/strong>\u2013 Uluslararas\u0131 P.E.N. ve Emile Zola\u2019dan Gu\u0308nu\u0308mu\u0308ze Bat\u0131 Toplumunda Ayd\u0131n\u0131n Rolu\u0308 \/ <strong>Terry Carlbom <\/strong>\u2013 Sur le P.E.N Club International: Frans\u0131zca Konus\u0327ma Metni \/ <strong>Aysu Erden, Tug\u0306rul I\u0307nal <\/strong>\u2013 Le P.E.N Club international et le ro\u0302le de l\u2019intellectuel dans la socie\u0301te\u0301 occidentale depuis Emile Zola a\u0300 nos jours \/ <strong>Terry Carlbom <\/strong>\u2013 Suc\u0327luyorum! \/ Jaccuse ! : Cumhurbas\u0327kan\u0131na Mektup.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>CHARLES BAUDELAIRE O\u0308ZEL BO\u0308LU\u0308MU\u0308 (XI) \/ DOSSIER CHARLES BAUDELAIRE (XI) Baudelaire I\u0307c\u0327in Dramatik Bir Okuma (II) \/ Tug\u0306rul I\u0307nal \u2013 Baudelaire\u2019\u0131n C\u0327ift Go\u0308ru\u0308nu\u0308mlu\u0308 Oda\u2019s\u0131nda Yans\u0131malar \/ A. Hamit Sunel \u2013 Albatros \/ Abidin Emre \u2013 Ko\u0308tu\u0308lu\u0308k C\u0327ic\u0327ekleri\u2019nde \u201cYolculuk\u201d Eg\u0306retilemesi ve \u201cModernite\u201d \/ M. Emin O\u0308zcan \u2013 Le voyafe imaginaire a\u0300 travers les vers de Baudelaire&hellip;<\/p>\n","protected":false},"author":1,"featured_media":49,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[2],"tags":[],"class_list":["post-92","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-sayilar"],"_links":{"self":[{"href":"https:\/\/www.frankofoni.com.tr\/fr\/wp-json\/wp\/v2\/posts\/92","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.frankofoni.com.tr\/fr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.frankofoni.com.tr\/fr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.frankofoni.com.tr\/fr\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.frankofoni.com.tr\/fr\/wp-json\/wp\/v2\/comments?post=92"}],"version-history":[{"count":1,"href":"https:\/\/www.frankofoni.com.tr\/fr\/wp-json\/wp\/v2\/posts\/92\/revisions"}],"predecessor-version":[{"id":93,"href":"https:\/\/www.frankofoni.com.tr\/fr\/wp-json\/wp\/v2\/posts\/92\/revisions\/93"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.frankofoni.com.tr\/fr\/wp-json\/wp\/v2\/media\/49"}],"wp:attachment":[{"href":"https:\/\/www.frankofoni.com.tr\/fr\/wp-json\/wp\/v2\/media?parent=92"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.frankofoni.com.tr\/fr\/wp-json\/wp\/v2\/categories?post=92"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.frankofoni.com.tr\/fr\/wp-json\/wp\/v2\/tags?post=92"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}