{"id":84,"date":"2000-01-01T00:00:46","date_gmt":"1999-12-31T21:00:46","guid":{"rendered":"http:\/\/www.frankofoni.com.tr\/?p=84"},"modified":"2019-10-29T20:34:25","modified_gmt":"2019-10-29T17:34:25","slug":"ortak-kitap-no-12-2000","status":"publish","type":"post","link":"https:\/\/www.frankofoni.com.tr\/fr\/ortak-kitap-no-12-2000\/","title":{"rendered":"Ortak Kitap No : 12 &#8211; 2000"},"content":{"rendered":"<p><strong>ALOYSIUS BERTRAND O\u0308ZEL BO\u0308LU\u0308MU\u0308 \/ DOSSIER ALOYSIUS BERTRAND<br \/>\n<\/strong>Aloysius Bertrand ve Du\u0308zyaz\u0131 S\u0327iirinin Dog\u0306us\u0327u \/ <strong>O\u0308zdemir I\u0307nce <\/strong>\u2013 Bir Du\u0308zyaz\u0131 S\u0327iir Bas\u0327yap\u0131t\u0131: Gaspart de la Nuit \/ <strong>Abidin Emre <\/strong>\u2013 \u201cBir Du\u0308s\u0327\u201d Hic\u0327 Du\u0308zu\u0308nden Okunabilir mi? \/ <strong>Abidin Emre<\/strong><\/p>\n<p><strong>CHARLES BAUDELAIRE O\u0308ZEL BO\u0308LU\u0308MU\u0308 (VII) \/ DOSSIER CHARLES BAUDELAIRE (VII) <\/strong>Baudoleaire\u2019de S\u0327iirin Ana Kaynaklar\u0131 ve Nitelikleri \/ <strong>Cemalettin Ayk\u0131n <\/strong>\u2013 Baudelaire ve Yolculuk \/ <strong>Nedim Kula <\/strong>\u2013 Paris S\u0131k\u0131nt\u0131s\u0131 : Mefistofeles ile Rene\u0301 Aras\u0131nda S\u0327iir Okuru \/ <strong>M. Emin O\u0308zcan <\/strong>\u2013 Paris\u2019ten I\u0307stanbul\u2019a : Tevfik Fikret\u2019teki Baudelaire \/ <strong>Kemal O\u0308zmen <\/strong>\u2013 Baudelaire\u2019in \u201cKomik\u201d Kavram\u0131na Bak\u0131s\u0327\u0131 ve Karikatu\u0308re Yaklas\u0327\u0131m\u0131 \/ <strong>Kaya O\u0308zsezgin <\/strong>\u2013 Uzak I\u0307klimlerin Kokusu : Erotika, Egzotika ve Nostaljiya \/ <strong>Tug\u0306rul I\u0307nal<\/strong><\/p>\n<p><strong>HENRI MICHAUX O\u0308ZEL BO\u0308LU\u0308MU\u0308 (II \/ DOSSIER HENRI MECHAUX (II)<br \/>\n<\/strong>H. Michaux ve F. Kafka\u2019da Hayvansal Yarat\u0131klar ve Deg\u0306is\u0327im U\u0308zerine \/ <strong>Cengiz Ertem <\/strong>\u2013 La cre\u0301tion verbale chez Henri Michaux \/ <strong>Franc\u0327ois Bizet <\/strong>\u2013 Plume Ad\u0131nda Biri \/ <strong>Nedim Kula<\/strong><\/p>\n<p><strong>C\u0327ES\u0327I\u0307TLI\u0307 I\u0307NCELEMELER \/ CONSIDE\u0301RATIONS GE\u0301NE\u0301RALES<br \/>\n<\/strong>La culture turque, synthe\u0300se cine\u0301matographique \/ <strong>Talat Sait Halman <\/strong>\u2013 Pour une nouvelle forme de retour a\u0300 l\u2019histoire: l\u2019exemple d\u2019Andre\u0301 Malraux \/ <strong>Maria Teresa de Feitas <\/strong>\u2013 Pierre Loti, Stamboul et parcours inte\u0301rieur \/ <strong>Vassiliki Lalagaianni <\/strong>\u2013 L\u2019alchimie de L\u2019Oeuvre au Noir de Marguerite Yourcenar ou comment \u201cpasser par l\u2019histoire pour se de\u0301gager des pie\u0301ges de l\u2019histoire\u201d \/ <strong>Edmond Nogaicki <\/strong>\u2013 La que\u0302te du savoir dans \u201cL\u2019Oeuvre au Noir de Marguerite Yourcenar \/ <strong>Zeynep (Oral) Alp <\/strong>\u2013 Merima Ba\u0302: Une si longue lettre ou l\u2019arme pacifique \/ <strong>Ays\u0327e Alper <\/strong>\u2013 La le\u0301gende, mirage de l4histoire, poe\u0301sie et histoire dans les Martyrs \/ <strong>Philippe Antoine <\/strong>\u2013 Naturalisme et roman noir: de\u0301doublement curieux? les cas de Zola et de Maupassant \/ <strong>Efstratia Oktapoda <\/strong>\u2013 La crise d\u2019dentite\u0301 de Guillaume Appolinaire \/ <strong>Jean &#8211; Louis \/ Efstratia Oktapoda <\/strong>\u2013 La crise d\u2019identite\u0301 de Guillaume Appolinaire \/ <strong>Jean &#8211; Louis Mattei <\/strong>\u2013 Bibliographie franc\u0327aise de la litte\u0301rature turque de Turquie \/ <strong>Ekrem Aksoy <\/strong>\u2013 L\u2019analyse acoustique des consonnes occlusives sourdes et sonores du turc contemporain \/ <strong>Nebahat Ac\u0327\u0131ktan <\/strong>\u2013 Les Me\u0301te\u0301ores de Michel Tournier comme oeuvre hybride \/ <strong>Magdalena Zdrada <\/strong>\u2013 Cuma ya da Oyun olarak anlat\u0131 \/ <strong>M. Emin O\u0308zcan <\/strong>\u2013 Yeniden Yaz\u0131lm\u0131s\u0327 Bir Robinson Crusoe: Michel Tournier\u2019nin Cuma ya da Pasifik Araf\u0131 \/ <strong>Kubilay Aktulum <\/strong>\u2013 Du\u0308s\u0327u\u0308nce O\u0308zgu\u0308rlu\u0308g\u0306u\u0308: Nedir Acaba? <strong>Ioanna Kuc\u0327uradi <\/strong>\u2013 I\u0307nsan Haklar\u0131 ve Anayasalar\u0131m\u0131z, 1924, 1961 ve 1982 Anayasalar\u0131 \/ <strong>Harun Tepe <\/strong>\u2013 Elizabeth Barrett Browning ve S\u0327iir Geleneg\u0306inde Kad\u0131n S\u0327airin Sesi \/ <strong>Hande Sadun <\/strong>\u2013 Sanatc\u0327\u0131, Sanat Yap\u0131t\u0131 ve Dinleyici &#8211; izleyici &#8211; Okur U\u0308zerine \/ <strong>Necdet Su\u0308mer <\/strong>\u2013 Dostlug\u0306un Gereklilig\u0306i U\u0308zerine \/ <strong>Armag\u0306an Ethemog\u0306lu <\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"<p>ALOYSIUS BERTRAND O\u0308ZEL BO\u0308LU\u0308MU\u0308 \/ DOSSIER ALOYSIUS BERTRAND Aloysius Bertrand ve Du\u0308zyaz\u0131 S\u0327iirinin Dog\u0306us\u0327u \/ O\u0308zdemir I\u0307nce \u2013 Bir Du\u0308zyaz\u0131 S\u0327iir Bas\u0327yap\u0131t\u0131: Gaspart de la Nuit \/ Abidin Emre \u2013 \u201cBir Du\u0308s\u0327\u201d Hic\u0327 Du\u0308zu\u0308nden Okunabilir mi? \/ Abidin Emre CHARLES BAUDELAIRE O\u0308ZEL BO\u0308LU\u0308MU\u0308 (VII) \/ DOSSIER CHARLES BAUDELAIRE (VII) Baudoleaire\u2019de S\u0327iirin Ana Kaynaklar\u0131 ve Nitelikleri&hellip;<\/p>\n","protected":false},"author":1,"featured_media":49,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[2],"tags":[],"class_list":["post-84","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-sayilar"],"_links":{"self":[{"href":"https:\/\/www.frankofoni.com.tr\/fr\/wp-json\/wp\/v2\/posts\/84","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.frankofoni.com.tr\/fr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.frankofoni.com.tr\/fr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.frankofoni.com.tr\/fr\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.frankofoni.com.tr\/fr\/wp-json\/wp\/v2\/comments?post=84"}],"version-history":[{"count":1,"href":"https:\/\/www.frankofoni.com.tr\/fr\/wp-json\/wp\/v2\/posts\/84\/revisions"}],"predecessor-version":[{"id":85,"href":"https:\/\/www.frankofoni.com.tr\/fr\/wp-json\/wp\/v2\/posts\/84\/revisions\/85"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.frankofoni.com.tr\/fr\/wp-json\/wp\/v2\/media\/49"}],"wp:attachment":[{"href":"https:\/\/www.frankofoni.com.tr\/fr\/wp-json\/wp\/v2\/media?parent=84"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.frankofoni.com.tr\/fr\/wp-json\/wp\/v2\/categories?post=84"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.frankofoni.com.tr\/fr\/wp-json\/wp\/v2\/tags?post=84"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}