{"id":532,"date":"2026-03-04T10:00:23","date_gmt":"2026-03-04T07:00:23","guid":{"rendered":"https:\/\/www.frankofoni.com.tr\/?p=532"},"modified":"2026-03-04T10:00:23","modified_gmt":"2026-03-04T07:00:23","slug":"ortak-kitabi-no-48-2026","status":"publish","type":"post","link":"https:\/\/www.frankofoni.com.tr\/fr\/ortak-kitabi-no-48-2026\/","title":{"rendered":"Volume: 48 \u2013 2026"},"content":{"rendered":"<p><a href=\"https:\/\/www.frankofoni.com.tr\/wp-content\/uploads\/2026\/03\/3-48-Icindekiler.pdf\">\u0130\u00e7indekiler \/ Sommaire<\/a><\/p>\n<p><a href=\"https:\/\/www.frankofoni.com.tr\/wp-content\/uploads\/2026\/03\/1-Jenerik-48.pdf\">Jenerik<\/a><\/p>\n<p><a href=\"https:\/\/www.frankofoni.com.tr\/wp-content\/uploads\/2026\/03\/2-Editorden-48.pdf\">Edit\u00f6rden &#8211;\u00a0In memoriam<\/a><\/p>\n<p style=\"text-align: center;\"><strong>BAUDELAIRE DOSYASI<\/strong><br \/>\n<strong>DOSSIER BAUDELAIRE<\/strong><\/p>\n<p>Baudelaire \u0130\u00e7in Dramatik Bir Okuma XXIII<br \/>\nSenfonik \u015eiir XVII Bir \u201cT\u00fcr\u201d \u015eiir-Tiyatro \u0130\u00e7in Empati Denemesi<br \/>\n<a href=\"https:\/\/www.frankofoni.com.tr\/wp-content\/uploads\/2026\/03\/4-BAUDELAIRE-ICIN-DRAMATIK-OKUMA-Tugrul-Inal.pdf\">Tu\u011frul \u0130nal<\/a><br \/>\n[Ara\u015ft\u0131rma Makalesi]<\/p>\n<p>Baudelaire\u2019de Ya\u015fl\u0131l\u0131ktaki G\u00fczelli\u011fin Esteti\u011fi<br \/>\n<a href=\"https:\/\/www.frankofoni.com.tr\/wp-content\/uploads\/2026\/03\/5-BAUDELAIREDE-YASLILIKTAKI-GUZELLIGIN-ESTETIGI-Yavuz-Kizilcim.pdf\">Yavuz K\u0131z\u0131l\u00e7im<\/a><br \/>\n[Ara\u015ft\u0131rma Makalesi]<\/p>\n<p style=\"text-align: center;\"><strong>\u00c7E\u015e\u0130TL\u0130 \u0130NCELEMELER<\/strong><br \/>\n<strong>CONSIDERATIONS<\/strong><br \/>\n<strong>GENERALES<\/strong><\/p>\n<p>T\u00fcrkiye\u2019de \u00c7eviribilime Do\u011fru \u0130lk Ad\u0131mlar<br \/>\n<a href=\"https:\/\/www.frankofoni.com.tr\/wp-content\/uploads\/2026\/03\/6-TURKIYEDE-CEVIRIBILIME-DOGRU-ILK-ADIMLAR-Osman-Senemoglu.pdf\">Osman Senemo\u011flu<\/a><br \/>\n[Ara\u015ft\u0131rma Makalesi]<\/p>\n<p>Antonio Machado\u2019nun Hayat\u0131 Ve Fransa\u2019da \u00d6l\u00fcm\u00fc<br \/>\n<a href=\"https:\/\/www.frankofoni.com.tr\/wp-content\/uploads\/2026\/03\/7-ANTONIO-MACHADONUN-HAYATI-VE-FRANSADA-OLUMU-Arzu-Etensel-Ildem.pdf\">Arzu Etensel \u0130ldem<\/a><br \/>\n[Ara\u015ft\u0131rma Makalesi]<\/p>\n<p>Metinleraras\u0131l\u0131k ve Duygu<br \/>\n<a href=\"https:\/\/www.frankofoni.com.tr\/wp-content\/uploads\/2026\/03\/8-METINLERARASILIK-VE-DUYGU-Kubilay-Aktulum.pdf\">Kubilay Aktulum<\/a><br \/>\n[Ara\u015ft\u0131rma Makalesi]<\/p>\n<p>L\u2019ombre et l\u2019obsession du p\u00e8re dans L\u2019empereur d\u2019Occident de Pierre Michon<br \/>\n<a href=\"https:\/\/www.frankofoni.com.tr\/wp-content\/uploads\/2026\/03\/9-LOMBRE-ET-LOBSESSION-DU-PERE-DANS-LEMPEREUR-DOCCIDENT-DE-PIERRE-MICHON-Gulser-cetin.pdf\">G\u00fclser \u00c7etin<\/a><br \/>\n[Ara\u015ft\u0131rma Makalesi]<\/p>\n<p>Racine, La Fontaine, Madame de S\u00e9vign\u00e9, Moli\u0450re: le Fran\u00e7ais et les dialectes parl\u00e9s dans les provinces du Royaume<br \/>\n<a href=\"https:\/\/www.frankofoni.com.tr\/wp-content\/uploads\/2026\/03\/10-RACINE-LA-FONTAINE-MADAME-DE-SEVIGNE-MOLI\u0400RE-LE-FRANCAIS-ET-LES-DIALECTES-PARLES-DANS-LES-PROVINCES-DU-ROYAUME-Claude-Alain-Chevallier.pdf\">Claude-Alain Chevallier<\/a><br \/>\n[Ara\u015ft\u0131rma Makalesi]<\/p>\n<p>Bir M\u00fcsekkin Olarak Edebiyat \u2013 Okuman\u0131n \/ Yazman\u0131n \u0130yile\u015ftirici G\u00fcc\u00fc Bibliyoterapi ve Jean-Jacques Rousseau<br \/>\n<a href=\"https:\/\/www.frankofoni.com.tr\/wp-content\/uploads\/2026\/03\/11-BIR-MUSEKKIN-OLARAK-EDEBIYAT-\u2013-OKUMANIN-_-YAZMANIN-IYILESTIRICI-GUCU-BIBLIYOTERAPI-VE-JEAN-JACQUES-ROUSSEAU-Jale-Erlat.pdf\">Jale Erlat<\/a><br \/>\n[Ara\u015ft\u0131rma Makalesi]<\/p>\n<p>Etude des personnages dans deux pi\u00e8ces de Samuel Beckett<br \/>\n<a href=\"https:\/\/www.frankofoni.com.tr\/wp-content\/uploads\/2026\/03\/12-ETUDE-DES-PERSONNAGES-DANS-DEUX-PIECES-DE-SAMUEL-BECKETT-Eyup-Ozgur-Ozen.pdf\">Ey\u00fcp \u00d6zg\u00fcr \u00d6zen<\/a><br \/>\n[Ara\u015ft\u0131rma Makalesi]<\/p>\n<p>Montaj Hatt\u0131nda Akan Hayatlar: Claire Etcherelli\u2019nin Elise ou la vraie vie (Elise ya da Ger\u00e7ek Ya\u015fam) Roman\u0131na \u0130li\u015fkin Fordist\/Taylorist Bir Okuma<br \/>\n<a href=\"https:\/\/www.frankofoni.com.tr\/wp-content\/uploads\/2026\/03\/13-Montaj-Hattinda-Akan-Hayatlar-Akansel-Yalcinkaya.pdf\">Akansel Yal\u00e7\u0131nkaya<\/a><br \/>\n[Ara\u015ft\u0131rma Makalesi]<\/p>\n<p>Edip Cansever\u2019in \u201cG\u00fcl D\u00f6n\u00fcyor Avucumda\u201d \u015eiirini Analiz Denemesi<br \/>\n<a href=\"https:\/\/www.frankofoni.com.tr\/wp-content\/uploads\/2026\/03\/14-EDIP-CANSEVERIN-GUL-DONUYOR-AVUCUMDA-SIIRINI-ANALIZ-DENEMESI-Okan-Yilmaz.pdf\">Okan Y\u0131lmaz<\/a><br \/>\n[Ara\u015ft\u0131rma Makalesi]<\/p>\n<p>Une m\u00e9moire d&rsquo;enfance empreinte de critique du colonialisme<br \/>\n<a href=\"https:\/\/www.frankofoni.com.tr\/wp-content\/uploads\/2026\/03\/15-UNE-MEMOIRE-DENFANCE-EMPREINTE-DE-CRITIQUE-DU-COLONIALISME-Deniz-Oztekin.pdf\">Deniz \u00d6ztekin<\/a><br \/>\n[Ara\u015ft\u0131rma Makalesi]<\/p>\n<p style=\"text-align: center;\"><strong>K\u0130TAP TANITIMI<\/strong><br \/>\n<strong>NOTES DE LECTURE<\/strong><\/p>\n<p>Bir Kitap Okudum, Kafam Kar\u0131\u015ft\u0131\u2026<br \/>\n<a href=\"https:\/\/www.frankofoni.com.tr\/wp-content\/uploads\/2026\/03\/16-Kitap-Tanitimi-Agota-Kristof-Filiz-Hincal.pdf\">Filiz H\u0131ncal<\/a><\/p>\n<p>&nbsp;<\/p>\n<p><a href=\"https:\/\/www.frankofoni.com.tr\/wp-content\/uploads\/2026\/03\/17-48-Gecmis-sayilar.pdf\">Gec\u0327mis\u0327 say\u0131lar<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>\u0130\u00e7indekiler \/ Sommaire Jenerik Edit\u00f6rden &#8211;\u00a0In memoriam BAUDELAIRE DOSYASI DOSSIER BAUDELAIRE Baudelaire \u0130\u00e7in Dramatik Bir Okuma XXIII Senfonik \u015eiir XVII Bir \u201cT\u00fcr\u201d \u015eiir-Tiyatro \u0130\u00e7in Empati Denemesi Tu\u011frul \u0130nal [Ara\u015ft\u0131rma Makalesi] Baudelaire\u2019de Ya\u015fl\u0131l\u0131ktaki G\u00fczelli\u011fin Esteti\u011fi Yavuz K\u0131z\u0131l\u00e7im [Ara\u015ft\u0131rma Makalesi] \u00c7E\u015e\u0130TL\u0130 \u0130NCELEMELER CONSIDERATIONS GENERALES T\u00fcrkiye\u2019de \u00c7eviribilime Do\u011fru \u0130lk Ad\u0131mlar Osman Senemo\u011flu [Ara\u015ft\u0131rma Makalesi] Antonio Machado\u2019nun Hayat\u0131 Ve&hellip;<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[2],"tags":[],"class_list":["post-532","post","type-post","status-publish","format-standard","hentry","category-sayilar"],"_links":{"self":[{"href":"https:\/\/www.frankofoni.com.tr\/fr\/wp-json\/wp\/v2\/posts\/532","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.frankofoni.com.tr\/fr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.frankofoni.com.tr\/fr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.frankofoni.com.tr\/fr\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.frankofoni.com.tr\/fr\/wp-json\/wp\/v2\/comments?post=532"}],"version-history":[{"count":2,"href":"https:\/\/www.frankofoni.com.tr\/fr\/wp-json\/wp\/v2\/posts\/532\/revisions"}],"predecessor-version":[{"id":551,"href":"https:\/\/www.frankofoni.com.tr\/fr\/wp-json\/wp\/v2\/posts\/532\/revisions\/551"}],"wp:attachment":[{"href":"https:\/\/www.frankofoni.com.tr\/fr\/wp-json\/wp\/v2\/media?parent=532"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.frankofoni.com.tr\/fr\/wp-json\/wp\/v2\/categories?post=532"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.frankofoni.com.tr\/fr\/wp-json\/wp\/v2\/tags?post=532"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}