{"id":395,"date":"2023-09-10T22:01:08","date_gmt":"2023-09-10T19:01:08","guid":{"rendered":"http:\/\/www.frankofoni.com.tr\/?p=395"},"modified":"2024-03-30T01:01:43","modified_gmt":"2024-03-29T22:01:43","slug":"ortak-kitabi-no-43-2023","status":"publish","type":"post","link":"https:\/\/www.frankofoni.com.tr\/fr\/ortak-kitabi-no-43-2023\/","title":{"rendered":"Volume: 43 \u2013 2023"},"content":{"rendered":"

\u0130\u00e7indekiler<\/a><\/p>\n

Jenerik<\/a><\/p>\n

Edit\u00f6rden<\/a><\/p>\n

SABAHATT\u0130N AL\u0130 DOSYASI<\/strong>
\nDOSSIER SABAHATT\u0130N AL\u0130<\/strong><\/p>\n

Sabahattin Ali i\u00e7in Dramatik Bir Okuma K\u00fcrk Mantolu Madonna Bir \u201cT\u00fcr\u201d \u015eiir-Tiyatro i\u00e7in Bir Empati Denemesi<\/p>\n

Tu\u011frul \u0130nal<\/a><\/p>\n

Sabahattin Ali \u015eiirlerinde Kendini Ke\u015ffetme Yolculu\u011funda Da\u011f<\/p>\n

Aynur Ko\u00e7ak<\/a><\/p>\n

Sabahattin Ali\u2019de Kurba\u011fa Sembolizmi<\/p>\n

Atiye Nazl\u0131<\/a><\/p>\n

ANNIE ERNAUX DOSYASI<\/strong>
\nDOSSIER ANNIE ERNAUX<\/strong><\/p>\n

Annie Ernaux\u2019nun Yap\u0131t\u0131nda Palimpsest Yans\u0131malar<\/p>\n

Sevim Akten<\/a><\/p>\n

Annie Ernaux\u2019nun Edebi-Sosyolojik Diskurunda Bedenlenmi\u015f Zaman: Bourdieu\u2019c\u00fc Bir Okuma<\/p>\n

H\u00fczeyin Ko\u00e7 \u2013 Nazmiye Kete Tepe<\/a><\/p>\n

\u201cBen\u201dden Do\u011fan \u201cUtan\u00e7\u201d ya da \u201cUtan\u00e7\u201dtan Do\u011fan \u201cBen\u201d: Annie Ernaux\u2019nun \u201cUtan\u00e7\u201d Adl\u0131 Roman\u0131na Analitik Bir Yakla\u015f\u0131m<\/p>\n

Fatma Kaba<\/a><\/p>\n

L\u2019auto-m\u00e9tatextualit\u00e9 dans L\u2019atelier noir d\u2019Annie Ernaux<\/p>\n

Eylem Aksoy Alp<\/a><\/p>\n

\u0130ki K\u00fclt\u00fcr, \u0130ki Sosyal \u00c7evre Aras\u0131nda Bir Yazar: Annie Ernaux<\/p>\n

Seza Y\u0131lanc\u0131o\u011flu<\/a><\/p>\n

\u00c7E\u015e\u0130TL\u0130 \u0130NCELEMELER DOSYASI<\/strong>
\nCONSID\u00c9RATIONS G\u00c9N\u00c9RALES<\/strong><\/p>\n

Pourquoi et comment le dialecte de l\u2019\u00cele de France est devenu langue officielle nationale<\/p>\n

Claude-Alain Chevallier<\/a><\/p>\n

\u201cDo\u011fu\u2019nun Neyini Seversiniz? Avrupa\u2019ya D\u00f6n\u00fc\u015f\u00fcn\u00fc\u2026\u201d Gide\u2019den Malraux\u2019ya Bir D\u00f6n\u00fc\u015f \u00d6yk\u00fcs\u00fc (II)<\/p>\n

Kemal \u00d6zmen<\/a><\/p>\n

Balzac\u2019\u0131n Alt\u0131n G\u00f6zl\u00fc K\u0131z Roman\u0131nda Paris Cehenneminin Katmanlar\u0131ndan Birinde D\u00fc\u015fle Ger\u00e7e\u011fin Uyumu \u0130\u00e7inde Yolculuk<\/p>\n

Nedim Kula<\/a><\/p>\n

La transidentit\u00e9 et le f\u00e9minisme dans Indiana, L\u00e9lia et Gabriel de George Sand<\/p>\n

Piotr Kaczka<\/a><\/p>\n

Meubles, sexualit\u00e9 et d\u00e9fis de l\u2019immigration f\u00e9minine dans le roman K\u00e9tala de Fatou Diome<\/p>\n

Arzu Etensel \u0130ldem<\/a><\/p>\n

Michel Houellebecq\u2019in An\u00e9antir Adl\u0131 Roman\u0131n\u0131n Yap\u0131sal \u00d6zellikleri ve Siyasal \u00d6nceleme Boyutu<\/p>\n

M\u00fckremin Yaman<\/a><\/p>\n

K\u0130TAP TANITIMI<\/strong>
\nNOTES DE LECTURE<\/strong><\/p>\n

\u0130\u015fkolizm \u2013 Le workholisme \u2013 Bir \u00c7evirmenin Anlat\u0131s\u0131ndan Yaz\u0131nsal Bir \u00d6rnek \u2013 D\u00e9sol\u00e9e, je suis attendue \u2013 Agn\u00e8s Martin-Lugand<\/p>\n

Tanju \u0130nal<\/a><\/p>\n

 <\/p>\n

Ge\u00e7mi\u015f Say\u0131lar ve Yaz\u0131m Kurallar\u0131<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

\u0130\u00e7indekiler Jenerik Edit\u00f6rden SABAHATT\u0130N AL\u0130 DOSYASI DOSSIER SABAHATT\u0130N AL\u0130 Sabahattin Ali i\u00e7in Dramatik Bir Okuma K\u00fcrk Mantolu Madonna Bir \u201cT\u00fcr\u201d \u015eiir-Tiyatro i\u00e7in Bir Empati Denemesi Tu\u011frul \u0130nal Sabahattin Ali \u015eiirlerinde Kendini Ke\u015ffetme Yolculu\u011funda Da\u011f Aynur Ko\u00e7ak Sabahattin Ali\u2019de Kurba\u011fa Sembolizmi Atiye Nazl\u0131 ANNIE ERNAUX DOSYASI DOSSIER ANNIE ERNAUX Annie Ernaux\u2019nun Yap\u0131t\u0131nda Palimpsest Yans\u0131malar Sevim Akten…<\/p>\n","protected":false},"author":1,"featured_media":49,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[2],"tags":[],"class_list":["post-395","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-sayilar"],"_links":{"self":[{"href":"https:\/\/www.frankofoni.com.tr\/fr\/wp-json\/wp\/v2\/posts\/395","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.frankofoni.com.tr\/fr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.frankofoni.com.tr\/fr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.frankofoni.com.tr\/fr\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.frankofoni.com.tr\/fr\/wp-json\/wp\/v2\/comments?post=395"}],"version-history":[{"count":2,"href":"https:\/\/www.frankofoni.com.tr\/fr\/wp-json\/wp\/v2\/posts\/395\/revisions"}],"predecessor-version":[{"id":446,"href":"https:\/\/www.frankofoni.com.tr\/fr\/wp-json\/wp\/v2\/posts\/395\/revisions\/446"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.frankofoni.com.tr\/fr\/wp-json\/wp\/v2\/media\/49"}],"wp:attachment":[{"href":"https:\/\/www.frankofoni.com.tr\/fr\/wp-json\/wp\/v2\/media?parent=395"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.frankofoni.com.tr\/fr\/wp-json\/wp\/v2\/categories?post=395"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.frankofoni.com.tr\/fr\/wp-json\/wp\/v2\/tags?post=395"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}