{"id":130,"date":"2019-05-01T00:00:05","date_gmt":"2019-04-30T21:00:05","guid":{"rendered":"http:\/\/www.frankofoni.com.tr\/?p=130"},"modified":"2019-10-29T21:10:15","modified_gmt":"2019-10-29T18:10:15","slug":"ortak-kitabi-no-35-2019","status":"publish","type":"post","link":"https:\/\/www.frankofoni.com.tr\/fr\/ortak-kitabi-no-35-2019\/","title":{"rendered":"Ortak Kitab\u0131 No : 35 – 2019"},"content":{"rendered":"

NERVAL \u00d6ZEL B\u00d6L\u00dcM\u00dc II \/ DOSSIER NERVAL<\/strong><\/p>\n

Masals\u0131 Bir Opera-Sylvie Bir \u201cTu\u0308r\u201d S\u0327iir-Tiyatro I\u0307c\u0327in Bir Empati Denemesi \/ Tug\u0306rul I\u0307nal \u2013 <\/strong>Bir Aure\u0301lia <\/em>Okumas\u0131: S\u0327airin Don Quichote Olarak Portresi \/ M. Emin O\u0308zcan<\/strong> \u2013 \u00a0C\u0327ag\u0306das\u0327 Tu\u0308rk Edebiyat\u0131n\u0131n Baz\u0131 Yazarlar\u0131-S\u0327airleri U\u0308zerinde Ge\u0301rard De Nerval\u2019\u0131n Etkisi \/ Nedim Kula<\/strong><\/p>\n

MET\u0130NLERARASILIK \u00d6ZEL B\u00d6L\u00dcM\u00dc \/ DOSSIER INTERTEXTUALIT\u00c9<\/strong><\/p>\n

Entre auditeur et voyeur: Lire la lectrice <\/em>sur la page, le corps et a\u0300 l\u2019e\u0301cran \/ Elise Bouhet<\/strong> \u2013 Valmont <\/em>De Forman par rapport aux Liaisons Dangereuses <\/em>De Frears \/ Luisa Messina<\/strong> \u2013 Moda ve Metinleraras\u0131l\u0131k I: Roland Barthes\u2019in Moda Dizgesi \/ <\/em>Kubilay Aktulum<\/strong><\/p>\n

C\u0327ES\u0327I\u0307TLI\u0307 I\u0307NCELEMELER CONSIDE\u0301RATIONS GE\u0301NE\u0301RALES <\/strong><\/p>\n

Frans\u0131z Roman\u0131 Tu\u0308rk Roman\u0131 \/ Ekrem Aksoy<\/strong> \u2013 Oyun Yerelles\u0327tirmesi Alan\u0131nda Oyuncu Mu\u0308dahillig\u0306i: Tu\u0308rkiye\u2019de Oyun Yerelles\u0327tirme Alan\u0131 O\u0308rneg\u0306inde Netnografik Bir I\u0307nceleme \/Selahattin Karago\u0308z – Emine Bogenc\u0327 Demirel<\/strong> \u2013 Assia Dje\u0301bar ve Maissa Bey\u2019in Yap\u0131tlar\u0131nda Ku\u0308ltu\u0308rel Melezlik \/ S. Seza Y\u0131lanc\u0131og\u0306lu<\/strong> \u2013 Orhan Duru O\u0308yku\u0308lerinde Cinsellik I\u0307zleg\u0306inin Ele Al\u0131n\u0131s\u0327\u0131
\n\/ Nazl\u0131 Memis\u0327 Baytimur<\/strong> \u2013 S\u0327iir C\u0327evirisi ve Orhan Veli S\u0327iirlerinin Frans\u0131zca C\u0327evirileri U\u0308zerine (II) \/Nizamettin Kasap<\/strong> \u2013 Une e\u0301tude de l\u2019e\u0301criture minimaliste: Palafox et La Ne\u0301buleuse Du Crabe <\/em>D\u2019eric Chevillard \/ Sinem Du\u0308ndar & Ali Tilbe<\/strong> \u2013 A\u0302s\u0327\u0131kl\u0131ktan Paranoyakl\u0131g\u0306a Dog\u0306ru Yol Alan Dul Bir Kad\u0131n \/ Tu\u0308rka\u0302n Yes\u0327ilyurt<\/strong> \u2013 Aganta Burina Burinata\u2019da Suyun Tinc\u0327o\u0308zu\u0308mlemesi \/ Hasan I\u0307lkay Al<\/strong> \u2013 Questions a\u0300 la Zola: Comment on meurt, comment on tue? \/ Gu\u0308l Tekay Baysan <\/strong>Charlotte Delbo\u2019nun Auschwitz\u2019in Ku\u0308lleri <\/em>Bas\u0327l\u0131kl\u0131 U\u0308c\u0327lemesinde Akl\u0131n Ak\u0131lalmaz Ko\u0308tu\u0308lu\u0308k ile Mu\u0308cadelesi \/ C\u0327ag\u0306r\u0131 Erog\u0306lu<\/strong> \u2013 Annie Ernaux\u2019nun Ku\u0308rtaj\u2019<\/em>\u0131nda \u201cAbjekt\u201d Olan\u0131 Yazma Gu\u0308c\u0327lu\u0308g\u0306u\u0308
\nEylem Aksoy Alp<\/strong> \u2013 Me\u0301loforme Dans L\u2019Univers De La Cre\u0301ation Litte\u0301raire de Pascal Quignard
\nSimay Turan<\/strong> \u2013 Montaigne\u2019de S\u0327iir U\u0308zerine Du\u0308s\u0327u\u0308nceler \/ Nedim Kula<\/strong> \u2013 Maurice Merleau-Ponty ve Resimleraras\u0131l\u0131k Su\u0308recinde C\u0327evirinin Yeri \/ Fu\u0308sun Ataseven – Asena Kaya<\/strong><\/p>\n

Kitap Tan\u0131t\u0131m\u0131 – La Litte\u0301rature Compare\u0301e \/ Abdulfettah I\u0307mamog\u0306lu<\/strong><\/p>\n

 <\/p>\n","protected":false},"excerpt":{"rendered":"

NERVAL \u00d6ZEL B\u00d6L\u00dcM\u00dc II \/ DOSSIER NERVAL Masals\u0131 Bir Opera-Sylvie Bir \u201cTu\u0308r\u201d S\u0327iir-Tiyatro I\u0307c\u0327in Bir Empati Denemesi \/ Tug\u0306rul I\u0307nal \u2013 Bir Aure\u0301lia Okumas\u0131: S\u0327airin Don Quichote Olarak Portresi \/ M. Emin O\u0308zcan \u2013 \u00a0C\u0327ag\u0306das\u0327 Tu\u0308rk Edebiyat\u0131n\u0131n Baz\u0131 Yazarlar\u0131-S\u0327airleri U\u0308zerinde Ge\u0301rard De Nerval\u2019\u0131n Etkisi \/ Nedim Kula MET\u0130NLERARASILIK \u00d6ZEL B\u00d6L\u00dcM\u00dc \/ DOSSIER INTERTEXTUALIT\u00c9 Entre auditeur…<\/p>\n","protected":false},"author":1,"featured_media":49,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[2],"tags":[],"class_list":["post-130","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-sayilar"],"_links":{"self":[{"href":"https:\/\/www.frankofoni.com.tr\/fr\/wp-json\/wp\/v2\/posts\/130","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.frankofoni.com.tr\/fr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.frankofoni.com.tr\/fr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.frankofoni.com.tr\/fr\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.frankofoni.com.tr\/fr\/wp-json\/wp\/v2\/comments?post=130"}],"version-history":[{"count":1,"href":"https:\/\/www.frankofoni.com.tr\/fr\/wp-json\/wp\/v2\/posts\/130\/revisions"}],"predecessor-version":[{"id":131,"href":"https:\/\/www.frankofoni.com.tr\/fr\/wp-json\/wp\/v2\/posts\/130\/revisions\/131"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.frankofoni.com.tr\/fr\/wp-json\/wp\/v2\/media\/49"}],"wp:attachment":[{"href":"https:\/\/www.frankofoni.com.tr\/fr\/wp-json\/wp\/v2\/media?parent=130"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.frankofoni.com.tr\/fr\/wp-json\/wp\/v2\/categories?post=130"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.frankofoni.com.tr\/fr\/wp-json\/wp\/v2\/tags?post=130"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}