{"id":128,"date":"2019-01-01T00:00:16","date_gmt":"2018-12-31T21:00:16","guid":{"rendered":"http:\/\/www.frankofoni.com.tr\/?p=128"},"modified":"2019-10-29T21:08:52","modified_gmt":"2019-10-29T18:08:52","slug":"ortak-kitap-no-34-2019","status":"publish","type":"post","link":"https:\/\/www.frankofoni.com.tr\/fr\/ortak-kitap-no-34-2019\/","title":{"rendered":"Ortak Kitap No : 34 &#8211; 2019"},"content":{"rendered":"<p><strong>CHARLES BAUDELAIRE O\u0308ZEL BO\u0308LU\u0308MU\u0308 (XXVI) \/ DOSSIER CHARLES BAUDELAIRE (XXVI) <\/strong><\/p>\n<p>Baudelaire I\u0307c\u0327in Dramatik Bir Okuma (XVII) &#8211; Senfonik S\u0327iir (X) Bir \u201cTu\u0308r\u201d S\u0327iir \u2013 Tiyatro I\u0307c\u0327in Bir Empati Denemesi \/ <strong>Tug\u0306rul I\u0307nal <\/strong>\u2013 Une Lecture Dramatique Pour Baudeleaire (XVII) Poe\u0301sie Symphonique (X) Pour un \u201cGenre\u201d de Poe\u0301sie-The\u0301a\u0302tre Essai Emphathique \/ <strong>Tug\u0306rul I\u0307nal <\/strong>\u2013 Baudelaire\u2019in Yap\u0131tlar\u0131nda \u201cS\u0327eytan\u2019a Yo\u0308nelim ya da Hayvansall\u0131k\u201d \/ <strong>Nedim Kula <\/strong>\u2013 Baudelaire\u2019in Ko\u0308tu\u0308lu\u0308k C\u0327ic\u0327ekleri\u2019nde Kendini Aray\u0131s\u0327 \/ <strong>S\u0327evket Kad\u0131og\u0306lu <\/strong>\u2013 <em>Baudelaire\u2019in <\/em>Aks\u0327am\u0131n Alacakaranl\u0131g\u0306\u0131 ve <em>Necatigil\u2019in <\/em>Geceleyin Erkekler S\u0327iirlerinde Tutunamama Sorunu \/ <strong>Yavuz K\u0131z\u0131lc\u0327im <\/strong><\/p>\n<p><strong>C\u0327EVI\u0307RI\u0307 DOSYASI \/ DOSSIER TRADUCTION<br \/>\n<\/strong>Kad\u0131n Yaz\u0131n\u0131 C\u0327evirisinde Meydana Gelen Eril Dil Su\u0308rc\u0327meleri \/ <strong>F. Bilge Atay &amp; Fu\u0308sun Bilir Ataseven <\/strong>\u2013 Yeni Toplumsal Hareketlerin I\u0307s\u0327aret Fis\u0327eg\u0306i: Evrim Ag\u0306ac\u0131 Toplulug\u0306u ve Darwin\u2019i Yeniden C\u0327evirmek \/ <strong>Emine Bogenc\u0327 Demirel <\/strong>\u2013 2008-2018 Y\u0131llar\u0131 Aras\u0131nda Tu\u0308rkc\u0327eden Frans\u0131zcaya Yap\u0131lan Edebiyat C\u0327evirileri Bibliyografyas\u0131 ve Bir Deg\u0306erlendirme \/ <strong>S\u0327ule Demirkol Ertu\u0308rk <\/strong>\u2013 Reecrire son \u0153uvre en s\u2019auto-traduisant \/ <strong>S\u0327ilan Karadag\u0306 <\/strong>\u2013 C\u0327eviride Ku\u0308ltu\u0308rel Do\u0308nu\u0308s\u0327u\u0308m: C\u0327evrimsel Yeniden Yazma \/ <strong>Serhan Dindar<\/strong><\/p>\n<p><strong>C\u0327ES\u0327I\u0307TLI\u0307 I\u0307NCELEMELER \/ CONSIDE\u0301RATIONS GE\u0301NE\u0301RALES<br \/>\n<\/strong>Une oeuvre protE\u0301iforme et nE\u0301anmoins une \/ <strong>Lelia Trocan <\/strong>\u2013 L\u2019amitie\u0301 entre Malraux et Nehru \/ <strong>E\u0301velyne Lantonnet <\/strong>\u2013 Aller Simple: Apres le voyage dans les cales le retour en afrique est-il possible? \u2013 <strong>Arzu Etensel I\u0307ldem <\/strong>\u2013 Bir Ayd\u0131nlanma S\u0327airi : Tevfik Fikret \/ <strong>Kemal O\u0308zmen <\/strong>\u2013 Oktay R\u0131fat\u2019\u0131n <em>Birtak\u0131m I\u0307nsanlar <\/em>Adl\u0131 Kitab\u0131nda Gec\u0327en Kahramanlara Bir Bak\u0131s\u0327 \/ <strong>Ali Algu\u0308l <\/strong>\u2013 Ce\u0301zanne ve Zola: Bir Dostlug\u0306un O\u0308yku\u0308su\u0308 \/ <strong>Gu\u0308l Tekay Baysan <\/strong>\u2013 Son Hamle \/ <strong>Aylin Bayrakc\u0327eken Ak\u0131n <\/strong>\u2013 Paul Eluard\u2019da Savas\u0327 ve Direnis\u0327 \/ <strong>Galip Bald\u0131ran <\/strong>\u2013 Fransa\u2019da Antik Do\u0308nem ve Orta C\u0327ag\u0306\u2019da Bilim I\u0307nsan\u0131 Kad\u0131nlar \/ <strong>Jale Erlat <\/strong>\u2013 H\u0131rs\u0131z\u0131n Gu\u0308nlu\u0308g\u0306u\u0308: Jean Genet\u2019nin Biyografik Kurgusunda Ahlaki Yaln\u0131zl\u0131k \/ <strong>O\u0308zlem Kasap <\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"<p>CHARLES BAUDELAIRE O\u0308ZEL BO\u0308LU\u0308MU\u0308 (XXVI) \/ DOSSIER CHARLES BAUDELAIRE (XXVI) Baudelaire I\u0307c\u0327in Dramatik Bir Okuma (XVII) &#8211; Senfonik S\u0327iir (X) Bir \u201cTu\u0308r\u201d S\u0327iir \u2013 Tiyatro I\u0307c\u0327in Bir Empati Denemesi \/ Tug\u0306rul I\u0307nal \u2013 Une Lecture Dramatique Pour Baudeleaire (XVII) Poe\u0301sie Symphonique (X) Pour un \u201cGenre\u201d de Poe\u0301sie-The\u0301a\u0302tre Essai Emphathique \/ Tug\u0306rul I\u0307nal \u2013 Baudelaire\u2019in Yap\u0131tlar\u0131nda&hellip;<\/p>\n","protected":false},"author":1,"featured_media":49,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[2],"tags":[],"class_list":["post-128","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-sayilar"],"_links":{"self":[{"href":"https:\/\/www.frankofoni.com.tr\/fr\/wp-json\/wp\/v2\/posts\/128","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.frankofoni.com.tr\/fr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.frankofoni.com.tr\/fr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.frankofoni.com.tr\/fr\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.frankofoni.com.tr\/fr\/wp-json\/wp\/v2\/comments?post=128"}],"version-history":[{"count":1,"href":"https:\/\/www.frankofoni.com.tr\/fr\/wp-json\/wp\/v2\/posts\/128\/revisions"}],"predecessor-version":[{"id":129,"href":"https:\/\/www.frankofoni.com.tr\/fr\/wp-json\/wp\/v2\/posts\/128\/revisions\/129"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.frankofoni.com.tr\/fr\/wp-json\/wp\/v2\/media\/49"}],"wp:attachment":[{"href":"https:\/\/www.frankofoni.com.tr\/fr\/wp-json\/wp\/v2\/media?parent=128"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.frankofoni.com.tr\/fr\/wp-json\/wp\/v2\/categories?post=128"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.frankofoni.com.tr\/fr\/wp-json\/wp\/v2\/tags?post=128"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}