{"id":122,"date":"2017-11-01T00:00:49","date_gmt":"2017-10-31T21:00:49","guid":{"rendered":"http:\/\/www.frankofoni.com.tr\/?p=122"},"modified":"2020-11-13T12:37:15","modified_gmt":"2020-11-13T09:37:15","slug":"ortak-kitap-no-31-2017","status":"publish","type":"post","link":"https:\/\/www.frankofoni.com.tr\/fr\/ortak-kitap-no-31-2017\/","title":{"rendered":"Ortak Kitap No : 31 &#8211; 2017"},"content":{"rendered":"<p><strong>AHMET HAMDIPINAR DOSYASI \/ DOSSIER AHMET HAMDI\u0307 TANPINAR<br \/>\n<\/strong>Tanp\u0131nar\u2019daki <em>\u201cMonsieur Teste <\/em>Vakas\u0131\u201d ya da Aysbergin Dibine Yolculuk \/ <strong>Kemal O\u0308zmen <\/strong>\u2013 Bir Kars\u0327\u0131las\u0327t\u0131rmac\u0131 Olarak Ahmet Hamdi Tanp\u0131nar Bir Okuma Yo\u0308ntemi \/ <strong>Turan Alptekin <\/strong>\u2013 La re\u0301ception franc\u0327aise de A.H. Tanp\u0131nar : Une page mal connue d\u2019histoire litte\u0301raire \/ <strong>Timour Muhidine <\/strong>\u2013 <em>\u201cBunlar Prosedeler\u201d* : <\/em>Tanp\u0131nar et la peinture \/ <strong>Timour Muhidine<\/strong><\/p>\n<p><strong>AMIN MAALOUF DOSYASI \/ DOSSIER AMI\u0307N MAALOUF<br \/>\n<\/strong>Amin Maalouf <em>O\u0308lu\u0308mcu\u0308l Kimlikler\u2019<\/em>in Du\u0308s\u0327u\u0308ndu\u0308rdu\u0308kleri \/ <strong>Tug\u0306rul I\u0307nal <\/strong>\u2013 Conside\u0301rations sur <em>Les identite\u0301s meurtrie\u0301res <\/em>d\u2019Amin Maalouf \/ <strong>Tug\u0306rul I\u0307nal <\/strong>\u2013 L\u2019Histoire chez Amin Maalouf Quelques conside\u0301rations \/ <strong>Jacques-Emmanuel Bernard <\/strong>\u2013 Amin Maalouf a\u0300 l\u2019Acade\u0301mie Franc\u0327aise ou les secrets du vingt- neuvie\u0300me fauteuil \/ <strong>Arzu Etensel I\u0307ldem <\/strong>\u2013 La me\u0301moire rituelle dans l\u2019e\u0301criture romanesque d\u2019Amin Maalouf : Traces socioculturelles \/ <strong>Abdelmalik Atamena <\/strong>\u2013 Amin Maalouf: L\u2019Aventure d\u2019une histoire ou l\u2019histoire d\u2019une aventure \/ <strong>Chadli Djaouida <\/strong>\u2013 Lecture de <em>Samarcande <\/em>des personnages a\u0300 l\u2019ide\u0301ologie | <strong>M. Amine Martah <\/strong>\u2013 Identite\u0301 et alte\u0301rite : Jeux d\u2019e\u0301changes et de miroirs dans l\u2019\u0153uvre d\u2019Amin Maalouf \/ <strong>Besma Bou Omrani <\/strong>\u2013<\/p>\n<p><strong>METI\u0307NLERARASILIK DOSYASI \/ DOSSIER INTERTEXTUALIE\u0301<br \/>\n<\/strong>Mu\u0308zik ve Metinleraras\u0131l\u0131k VI \/ <strong>Kubilay Aktulum <\/strong>\u2013 Un exemple de croisement interse\u0301miotique peinture \/ poe\u0301sie \/musique \/ <strong>Anne Claire Gignoux <\/strong>\u2013 L\u2019Analyse polyse\u0301miotique \/ <strong>Louis Hebert <\/strong>\u2013 Pratique de l\u2019intertextualite\u0301, l\u2019intertextualite\u0301 ou l\u2019alte\u0301rite\u0301 de l\u2019e\u0301criture \/ <strong>Nisrine Malli <\/strong>\u2013 Analyse intertextuelle et hypertextuelle du Golem dans <em>Le Kabbaliste <\/em>de Prague de Marek Halter \/ <strong>Pawel Kaminski <\/strong>\u2013 <em>Maudit soit Dostoi\u0308evski <\/em>ou a\u0300 la recherche de <em>Crime et Cha\u0302timent \/ <\/em><strong>Gabriella Ko\u0308ro\u0308mi <\/strong>\u2013 A\u0300 l\u2019ombre de Jules Michelet et Georges Sand \/ <strong>Mouad Adham<\/strong><\/p>\n<p><strong>C\u0327ES\u0327I\u0307TLI\u0307 I\u0307NCELEMELER \/ CONSIDE\u0301RATION GE\u0301NE\u0301RALES<br \/>\n<\/strong>Une critique ge\u0301ne\u0301reuse \/ <strong>Lelia Trocan <\/strong>\u2013 Isabelle de Charrie\u0300re et Zu\u0308beyde Fitnat: Pre\u0301sences et poste\u0301rite\u0301s \/ <strong>Jale Erlat <\/strong>\u2013 <em>Kendi Hayat\u0131n\u0131n S\u0327iirini Yazan <\/em>Stendhal\u2019de Kars\u0327\u0131t Du\u0308nyalar \/ <strong>Nedim Kula <\/strong>\u2013 Kimlik\/Bellek Sorgulamas\u0131n\u0131n Yorumsuz Go\u0308ru\u0308ntu\u0308su\u0308: Magnus \/ <strong>Hanife Na\u0302la\u0302n Genc\u0327 <\/strong>\u2013 Abdu\u0308lhak Hamid\u2019in Tiyatrosunda Klasik Etkiler (II) \/ <strong>Abdulhalim Ayd\u0131n <\/strong>\u2013 Aldatma Oyunu \/ <strong>Aylin Bayrakc\u0327eken Ak\u0131n <\/strong>\u2013 La phe\u0301nome\u0301nologie et l\u2019art de l\u2019autobiographie \/ <strong>Said Tawfik <\/strong>\u2013 C\u0327eviride Es\u0327itlik mi Yoksa Es\u0327deg\u0306erlik mi? \/ <strong>Ekrem Aksoy <\/strong>\u2013 La notion de l\u2019inquie\u0301tante e\u0301trangete\u0301 dans la traduction : Une e\u0301tude de cas \/ <strong>Lale Arslan O\u0308zcan &#8211; P\u0131nar Gu\u0308zelyu\u0308rek C\u0327elik <\/strong>\u2013 Tu\u0308rkiye\u2019deki U\u0308niversitelerin Frans\u0131zca Programlar\u0131 ve Bu Programlarda Yap\u0131lan Akademik C\u0327al\u0131s\u0327malar U\u0308zerine Bir Deg\u0306erlendirme \/ <strong>Erdog\u0306an Kartal <\/strong>\u2013 Compte rendu, Studia in honorem Professeur des univesite\u0301s <strong>Lelia Trocan <\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"<p>AHMET HAMDIPINAR DOSYASI \/ DOSSIER AHMET HAMDI\u0307 TANPINAR Tanp\u0131nar\u2019daki \u201cMonsieur Teste Vakas\u0131\u201d ya da Aysbergin Dibine Yolculuk \/ Kemal O\u0308zmen \u2013 Bir Kars\u0327\u0131las\u0327t\u0131rmac\u0131 Olarak Ahmet Hamdi Tanp\u0131nar Bir Okuma Yo\u0308ntemi \/ Turan Alptekin \u2013 La re\u0301ception franc\u0327aise de A.H. Tanp\u0131nar : Une page mal connue d\u2019histoire litte\u0301raire \/ Timour Muhidine \u2013 \u201cBunlar Prosedeler\u201d* : Tanp\u0131nar&hellip;<\/p>\n","protected":false},"author":1,"featured_media":49,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[2],"tags":[],"class_list":["post-122","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-sayilar"],"_links":{"self":[{"href":"https:\/\/www.frankofoni.com.tr\/fr\/wp-json\/wp\/v2\/posts\/122","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.frankofoni.com.tr\/fr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.frankofoni.com.tr\/fr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.frankofoni.com.tr\/fr\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.frankofoni.com.tr\/fr\/wp-json\/wp\/v2\/comments?post=122"}],"version-history":[{"count":2,"href":"https:\/\/www.frankofoni.com.tr\/fr\/wp-json\/wp\/v2\/posts\/122\/revisions"}],"predecessor-version":[{"id":243,"href":"https:\/\/www.frankofoni.com.tr\/fr\/wp-json\/wp\/v2\/posts\/122\/revisions\/243"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.frankofoni.com.tr\/fr\/wp-json\/wp\/v2\/media\/49"}],"wp:attachment":[{"href":"https:\/\/www.frankofoni.com.tr\/fr\/wp-json\/wp\/v2\/media?parent=122"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.frankofoni.com.tr\/fr\/wp-json\/wp\/v2\/categories?post=122"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.frankofoni.com.tr\/fr\/wp-json\/wp\/v2\/tags?post=122"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}