{"id":120,"date":"2017-01-01T00:00:19","date_gmt":"2016-12-31T21:00:19","guid":{"rendered":"http:\/\/www.frankofoni.com.tr\/?p=120"},"modified":"2019-10-29T21:01:39","modified_gmt":"2019-10-29T18:01:39","slug":"ortak-kitap-no-30-2017","status":"publish","type":"post","link":"https:\/\/www.frankofoni.com.tr\/fr\/ortak-kitap-no-30-2017\/","title":{"rendered":"Ortak Kitap No : 30 &#8211; 2017"},"content":{"rendered":"<p><strong>BAUDELAI\u0307RE DOSYASI (XXIV) \/ DOSSIER CHARLES BAUDELAIRE (XXIV)<\/strong><\/p>\n<p>Baudelaire I\u0307c\u0327in Dramatik Bir Okuma (XV) \/ Senfonik S\u0327iir (VIII) Bir \u201cTu\u0308r\u201d S\u0327iir &#8211; Tiyatro I\u0307c\u0327in Bir Empati Denemesi \/ <strong>Tug\u0306rul I\u0307nal <\/strong>\u2013 Une Lecture dramatique pour Baudelaire (XV) Poe\u0300me symphonique (VIII) Pour un \u201cGenre\u201d de poe\u0301sie-the\u0301a\u0302tre, Essai empathique \/ <strong>Tug\u0306rul I\u0307nal <\/strong>\u2013 Le poe\u0300te maudit et la langue du livre : La poe\u0301sie de Baudelaire et ses premie\u0300res traducteurs en He\u0301breu moderne \/ <strong>Dory Manor <\/strong>\u2013 <em>La Fanfarlo, <\/em>Baudelaire\u2019in Aynadaki Yu\u0308zu\u0308 \/ <strong>Nedim Kula <\/strong>\u2013 Baudelaire\u2019de Go\u0308nu\u0308llu\u0308 O\u0308lu\u0308 Tasar\u0131m\u0131 \/ <strong>Yavuz K\u0131z\u0131lc\u0327im <\/strong>\u2013 <em>Ko\u0308tu\u0308lu\u0308k C\u0327ic\u0327ekleri\u2019<\/em>nin Yasaklanm\u0131s\u0327 S\u0327iirlerinde As\u0327k\u0131n Go\u0308ru\u0308nu\u0308mleri: <em>Nes\u0327ideler Nes\u0327idesi <\/em>ile Bir Kars\u0327\u0131las\u0327t\u0131rma \/ <strong>M. Emin O\u0308zcan <\/strong>\u2013Henri Cantel, disciple et imitateur de Baudelaire \/ <strong>Andrea Schellino<\/strong><\/p>\n<p><strong>ANDRE\u0301 MALRAUX DOSYASI \/ DOSSIER ANDRE\u0301 MALRAUX<br \/>\n<\/strong>Portrait de l\u2019artiste en rival fraternel: Georges Didi-huberman et Andre\u0301 Malraux \/ <strong>Jean-Pierre Zarader <\/strong>\u2013 Malraux l\u2019inattendu (ou) Malraux, l\u2019homme des me\u0301tamorphoses \/ <strong>Jean-Claude Larrat <\/strong>\u2013 Un projet d\u2019exposition: \u201cLa vieillesse des maitres\u201d par Andre\u0301 Malraux \/ <strong>E\u0301velyn Lantonnet <\/strong>\u2013 Malraux ou l\u2019homme de tous les engagements <strong>\/ Anissa Benzakour Chami <\/strong>\u2013 L\u2019Art, le temps et la me\u0301tamorphose: un aspect re\u0301volutionnaire de la the\u0301orie de l\u2019art d\u2019Andre\u0301 Malraux \/ <strong>Derek Allan <\/strong>\u2013 Re\u0301flexions de Malraux sur la condition de l\u2019homme \/ <strong>Xu Feng <\/strong>\u2013 Du\u0308s\u0327man Kardes\u0327ler ya da Sartre Malraux\u2019yu Nas\u0131l Okudu \/ <strong>Engin Bezci<\/strong><\/p>\n<p><strong>ORHAN VELI\u0307 DOSYASI \/ DOSSIER ORHAN VELI\u0307<br \/>\n<\/strong>Yaln\u0131z Seni Ar\u0131yorum Na\u0302hit Han\u0131m\u2019a Mektuplar: Orhan Veli I\u0307c\u0327in Dramatik Bir Okuma Bir Empati Denemesi \/ <strong>Tug\u0306rul I\u0307nal <\/strong>\u2013 Bir Garip Orhan Veli \/ <strong>Ha\u0302le Seval <\/strong>\u2013 Melih Cevdet Anday\u2019\u0131n Du\u0308s\u0327u\u0308nce Yaz\u0131lar\u0131nda Garip Hareketi ve Orhan Veli Kan\u0131k \/ <strong>Ali Algu\u0308l <\/strong>\u2013 Garip S\u0327iiri ve Gerc\u0327eku\u0308stu\u0308cu\u0308lu\u0308k \/ <strong>Mu\u0308esser Yeniay<\/strong><\/p>\n<p><strong>C\u0327ES\u0327I\u0307TLI\u0307 I\u0307NCELEMELER \/ CONSIDERATION GENERALES<br \/>\n<\/strong>Assembler le de\u0301saccord ou le de\u0301sir du continu le re\u0301cit <em>\u201cGlissant\u201d <\/em>dans <em>les Annees <\/em>d\u2019Annie Ernaux \/ <strong>Jolanta Rachwalska von Rejchwald <\/strong>\u2013 <em>Les enfants du cre\u0301puscule <\/em>de Serge Brussolo en tant que roman labyrinthique \/ <strong>Alexsandra Boguslwsa <\/strong>\u2013 Patrick Modiano, Bellek Arkeolog\u0306u \/ <strong>Tanju I\u0307nal <\/strong>\u2013 La perception de l\u2019autre chez Le Cle\u0301zio \/ <strong>Ceren O\u0308zgu\u0308ler <\/strong>\u2013 La re\u0301interpre\u0301tation du mythe d\u2019\u0152dipe dans le roman <em>\u0152dipe sur la route <\/em>de Henry Bauchau \/ <strong>Pierre Bastin <\/strong>\u2013 <em>Waiting for Godot, <\/em>Traduction ou re\u0301e\u0301criture? \/ <strong>Beki Haleva <\/strong>\u2013 <em>Kars\u0327\u0131tlar\u0131n Kesis\u0327imi : 1960\u2019l\u0131 Y\u0131llar\u0131n Bas\u0327kald\u0131r\u0131 Tiyatrolar\u0131 \/ <\/em><strong>Damla S\u0327ikel <\/strong>\u2013 S\u0327iir C\u0327evirisi ve Orhan Veli S\u0327iirlerinin Frans\u0131zca C\u0327evirileri U\u0308zerine (I) \/ <strong>Nizamettin Kasap <\/strong>\u2013 C\u0327evrimic\u0327i Fan Topluluklar\u0131 ve C\u0327eviri Eg\u0306itiminde Sahadan I\u0307lk Sesler \/ <strong>Emine Bogenc\u0327 Demirel &#8211; Zeynep Go\u0308rgu\u0308ler <\/strong>\u2013 C\u0327evirmenlik ve Yarat\u0131c\u0131l\u0131k \/ <strong>A. S\u0327irin Okyayuz &#8211; Mu\u0308mtaz Kaya \/ <\/strong>Ku\u0308ltu\u0308rleraras\u0131 C\u0327eviri ve Yenidenyaratma U\u0308zerine Bir I\u0307nceleme: <em>Benim Ad\u0131m K\u0131rm\u0131z\u0131 \/ <strong>Serhan Dindar <\/strong><\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>BAUDELAI\u0307RE DOSYASI (XXIV) \/ DOSSIER CHARLES BAUDELAIRE (XXIV) Baudelaire I\u0307c\u0327in Dramatik Bir Okuma (XV) \/ Senfonik S\u0327iir (VIII) Bir \u201cTu\u0308r\u201d S\u0327iir &#8211; Tiyatro I\u0307c\u0327in Bir Empati Denemesi \/ Tug\u0306rul I\u0307nal \u2013 Une Lecture dramatique pour Baudelaire (XV) Poe\u0300me symphonique (VIII) Pour un \u201cGenre\u201d de poe\u0301sie-the\u0301a\u0302tre, Essai empathique \/ Tug\u0306rul I\u0307nal \u2013 Le poe\u0300te maudit et&hellip;<\/p>\n","protected":false},"author":1,"featured_media":49,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[2],"tags":[],"class_list":["post-120","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-sayilar"],"_links":{"self":[{"href":"https:\/\/www.frankofoni.com.tr\/fr\/wp-json\/wp\/v2\/posts\/120","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.frankofoni.com.tr\/fr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.frankofoni.com.tr\/fr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.frankofoni.com.tr\/fr\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.frankofoni.com.tr\/fr\/wp-json\/wp\/v2\/comments?post=120"}],"version-history":[{"count":1,"href":"https:\/\/www.frankofoni.com.tr\/fr\/wp-json\/wp\/v2\/posts\/120\/revisions"}],"predecessor-version":[{"id":121,"href":"https:\/\/www.frankofoni.com.tr\/fr\/wp-json\/wp\/v2\/posts\/120\/revisions\/121"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.frankofoni.com.tr\/fr\/wp-json\/wp\/v2\/media\/49"}],"wp:attachment":[{"href":"https:\/\/www.frankofoni.com.tr\/fr\/wp-json\/wp\/v2\/media?parent=120"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.frankofoni.com.tr\/fr\/wp-json\/wp\/v2\/categories?post=120"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.frankofoni.com.tr\/fr\/wp-json\/wp\/v2\/tags?post=120"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}