{"id":118,"date":"2016-01-01T00:00:47","date_gmt":"2015-12-31T21:00:47","guid":{"rendered":"http:\/\/www.frankofoni.com.tr\/?p=118"},"modified":"2023-01-05T19:48:10","modified_gmt":"2023-01-05T16:48:10","slug":"ortak-kitap-no-29-2016","status":"publish","type":"post","link":"https:\/\/www.frankofoni.com.tr\/fr\/ortak-kitap-no-29-2016\/","title":{"rendered":"Ortak Kitap No : 29 &#8211; 2016"},"content":{"rendered":"<p><strong>C\u0327ES\u0327I\u0307TLI\u0307 I\u0307NCELEMELER \/ CONSIDERATIONS GENERALES<br \/>\n<\/strong><em>Les Mise\u0301rables <\/em>de Victor Hugo comme roman sentimental (II) \/ <strong>Aleksandra Boguslawska <\/strong>\u2013 Claudel et la poe\u0301sie en temps de guerre \/ <strong>Glenn W. Fetzer <\/strong>\u2013 L\u2019I\u0307ronie dans <em>La Femme gele\u0301e <\/em>d\u2019Annie Ernaux \/ <strong>Eylem Aksoy Alp <\/strong>\u2013 <em>Tiresias\u2019\u0131n Memeleri &#8211; <\/em>Apollinaire Bilmeden Gerc\u0327eku\u0308stu\u0308cu\u0308lu\u0308k mu\u0308 Yapm\u0131s\u0327t\u0131r? \/ <strong>O\u0308zlem Kasap <\/strong>\u2013 Fenomenolojik Bedenden Artaud\u2019nun Organs\u0131z Bedenine \/ <strong>Ayberk Erkay <\/strong>\u2013 Beckett\u2019in <em>Ayak Sesleri <\/em>Adl\u0131 Tiyatro Eserinde Zihinde Yank\u0131lanmalar \/ <strong>Aylin Bayrakc\u0327eken Ak\u0131n <\/strong>\u2013 L\u2019Alie\u0301nation dans <em>La P&#8230; <\/em>Respectueuse de Jean-Paul Sartre: Un acte de mauvaise foi \/ <strong>O\u0308zlem Kasap <\/strong>\u2013 Abdu\u0308lhak Hamid\u2019in Tiyatrosunda Klasik Etkiler (I) \/ <strong>Abdulhalim Ayd\u0131n <\/strong>\u2013 Melih Cevdet Anday\u2019\u0131n S\u0327iirlerinde Antik Yunan Mitolojisi \/ <strong>Ali Algu\u0308l <\/strong>\u2013 Metin Alt\u0131ok S\u0327iirinde Du\u0308s\u0327u\u0308nu\u0308m O\u0308geleri Olarak Baz\u0131 Temalar \/ <strong>I\u0307smail Demirdo\u0308ven <\/strong>\u2013 <em>Kafamda Bir Tuhafl\u0131k : <\/em>I\u0307c\u0327go\u0308c\u0327 ve Ku\u0308ltu\u0308rel Ayr\u0131mlas\u0327man\u0131n Yaz\u0131nsalalas\u0327t\u0131r\u0131m\u0131 \/ <strong>Onur Bilge Kula <\/strong>\u2013 I\u0307lhan Berk\u2019in <em>Galata ve Pera\u2019<\/em>s\u0131nda Kent Yaz\u0131m\u0131 Bag\u0306lam\u0131nda Metin Olus\u0327turma Su\u0308rec\u0327leri \/ <strong>Ceren O\u0308zgu\u0308ler <\/strong>\u2013 Ge\u0301rard De Nerval\u2019in <em>Delfica <\/em>Adl\u0131 S\u0327iiri ve Tu\u0308rkc\u0327e C\u0327evirisi U\u0308zerine Bir I\u0307nceleme \/ <strong>Nizamettin Kasap <\/strong>\u2013 Mu\u0308zik ve Metinleraras\u0131l\u0131k V \/ <strong>Kubilay Aktulum <\/strong>\u2013 Mit ve Ritu\u0308el Du\u0308nyas\u0131ndan G\u0131lgam\u0131s\u0327 Destan\u0131\u2019na Bog\u0306a Ku\u0308ltu\u0308 \/ <strong>Aynur Koc\u0327ak <\/strong>\u2013Pline Le Jeune et Le lac de Sapanca &#8211; Sapanca Go\u0308lu\u0308 \/ <strong>Claude-Alain Chevallier <\/strong>\u2013 Gae\u0308tan Brulotte, Nouvellier de la \u201cPsychopathologie de la vie quotidienne\u201d (II) \/ <strong>Ljilana Matic\u0301 <\/strong>\u2013Le silence et la violence dans certaines \u0153euvres de Ken Bugul et Fatou Diome \/ <strong>Anna Swoboda <\/strong>\u2013 Tango Express : La \u201clitte\u0301rature monde\u201d de Brina Svit \/ <strong>Peter Schulman <\/strong>\u2013 Compte-rendu de lecture <em>\u201cDictionnaire Andre\u0301 Malraux\u201d \/ <\/em><strong>Kemal O\u0308zmen <\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"<p>C\u0327ES\u0327I\u0307TLI\u0307 I\u0307NCELEMELER \/ CONSIDERATIONS GENERALES Les Mise\u0301rables de Victor Hugo comme roman sentimental (II) \/ Aleksandra Boguslawska \u2013 Claudel et la poe\u0301sie en temps de guerre \/ Glenn W. Fetzer \u2013 L\u2019I\u0307ronie dans La Femme gele\u0301e d\u2019Annie Ernaux \/ Eylem Aksoy Alp \u2013 Tiresias\u2019\u0131n Memeleri &#8211; Apollinaire Bilmeden Gerc\u0327eku\u0308stu\u0308cu\u0308lu\u0308k mu\u0308 Yapm\u0131s\u0327t\u0131r? \/ O\u0308zlem Kasap \u2013&hellip;<\/p>\n","protected":false},"author":1,"featured_media":49,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[2],"tags":[],"class_list":["post-118","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-sayilar"],"_links":{"self":[{"href":"https:\/\/www.frankofoni.com.tr\/fr\/wp-json\/wp\/v2\/posts\/118","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.frankofoni.com.tr\/fr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.frankofoni.com.tr\/fr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.frankofoni.com.tr\/fr\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.frankofoni.com.tr\/fr\/wp-json\/wp\/v2\/comments?post=118"}],"version-history":[{"count":1,"href":"https:\/\/www.frankofoni.com.tr\/fr\/wp-json\/wp\/v2\/posts\/118\/revisions"}],"predecessor-version":[{"id":119,"href":"https:\/\/www.frankofoni.com.tr\/fr\/wp-json\/wp\/v2\/posts\/118\/revisions\/119"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.frankofoni.com.tr\/fr\/wp-json\/wp\/v2\/media\/49"}],"wp:attachment":[{"href":"https:\/\/www.frankofoni.com.tr\/fr\/wp-json\/wp\/v2\/media?parent=118"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.frankofoni.com.tr\/fr\/wp-json\/wp\/v2\/categories?post=118"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.frankofoni.com.tr\/fr\/wp-json\/wp\/v2\/tags?post=118"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}