{"id":72,"date":"1994-01-01T00:00:36","date_gmt":"1993-12-31T21:00:36","guid":{"rendered":"http:\/\/www.frankofoni.com.tr\/?p=72"},"modified":"2019-10-29T20:25:04","modified_gmt":"2019-10-29T17:25:04","slug":"ortak-kitap-no-6-1994","status":"publish","type":"post","link":"https:\/\/www.frankofoni.com.tr\/en\/ortak-kitap-no-6-1994\/","title":{"rendered":"Ortak Kitap No : 6 &#8211; 1994"},"content":{"rendered":"<p><strong>BAUDELAIRE O\u0308ZEL BO\u0308LU\u0308MU\u0308 (I) DOSSIER BAUDELAIRE (I)<br \/>\n<\/strong>BAUDELAI\u0307RE\u2019DEN I\u0307KI\u0307 EROTI\u0307K TABLO: \u201cSac\u0327lar\u201d \u2013 \u201cSac\u0327larda Bir Yar\u0131m Ku\u0308re\u201d \/ <strong>Tug\u0306rul I\u0307nal <\/strong>\u2013 \u201cBin Y\u0131l Yas\u0327asam Bunca An\u0131m Olmazd\u0131\u201d \/ <strong>Abidin Emre <\/strong>\u2013 I\u0307karus\u2019un Kavs\u0327ag\u0306\u0131nda I\u0307ki S\u0327air : Baudelaire ve Taranc\u0131 (I) \/ <strong>Kemal O\u0308zmen <\/strong>\u2013 Deux livres scandaleux au 19e sie\u0301cle: \u201cLes Fleurs du mal\u201d de Baudelaire et \u201cPremier amour\u201d de Tourgueniev \/ <strong>Jean-Louis Mattei <\/strong>\u2013 Baudelaire ve Sanat Eles\u0327tirisi \/ <strong>Kaya O\u0308zsezgin <\/strong>\u2013 Sanatta Kurumdan Uygulamaya Baudelaire \/ <strong>Sibel Bozbeyog\u0306lu <\/strong><\/p>\n<p><strong>MAUPASSANT O\u0308ZEL BO\u0308LU\u0308MU\u0308 \/ DOSSIER MAUPASSANT MAUPASSANT<br \/>\n<\/strong>Maupassant\u2019\u0131n \u201cSu U\u0308stu\u0308nde\u201d Adl\u0131 O\u0308yku\u0308su\u0308nu\u0308n Bir C\u0327o\u0308zu\u0308mlemesi \/ <strong>Ali Kas\u0327 <\/strong>\u2013 Ayd\u0131n Olabilmenin Bedeli : Maupassant O\u0308yku\u0308su\u0308nde Yaln\u0131zl\u0131k \u2013 Korkular ve Delilik Temalar\u0131 \/ <strong>Sevinc\u0327 O\u0308zer <\/strong>\u2013 Benzersiz Bir Yas\u0327am Deneycisi, Kad\u0131n Sarraf\u0131 ve Fantastik Ustas\u0131: Guy de Maupassant \/ <strong>Jale Erlat <\/strong>\u2013 Recherche des mots a\u0301 C.C.P. dans \u201cle Bapte\u0302me\u201d de Maupassant \/ <strong>Nazmiye Topc\u0327u<\/strong><\/p>\n<p><strong>DURAS O\u0308ZEL BO\u0308LU\u0308MU\u0308 \/ DOSSIER DURAS<br \/>\n<\/strong>Duras U\u0308stu\u0308ne Ruhc\u0327o\u0308zu\u0308msel Bir Eles\u0327tiri \/ <strong>Sevim Akten <\/strong>\u2013 O\u0308lu\u0308 Dog\u0306mus\u0327 Bir Du\u0308s\u0327 ya da Duras\u2019\u0131n \u201cO\u0308lu\u0308m Hastal\u0131g\u0306\u0131\u201d \/ <strong>Kemal O\u0308zmen <\/strong>\u2013 Thanatos\u2019tan Eros\u2019a \/ Eros\u2019tan Thanatos\u2019a Duras \/ <strong>Tanju I\u0307nal <\/strong>\u2013 Marguerite Duras\u2019\u0131n Eden Cine\u0301ma Adl\u0131 Yap\u0131t\u0131nda Uzam ve Uzam\u0131n Simgesel Deg\u0306erleri \/ <strong>Ayten Er (K\u0131l\u0131c\u0327) <\/strong>\u2013 Marguerite Duras\u2019\u0131n Parkta Roman\u0131nda Anla(s\u0327\u0131l)ma ve Deg\u0306is\u0327(tir)me Bak\u0131m\u0131ndan Kis\u0327i \/ <strong>Dog\u0306an Gu\u0308nay <\/strong>\u2013 Marguerite Duras et l\u2019e\u0301criture autobiographique \/ <strong>Tug\u0306rul I\u0307nal<\/strong><\/p>\n<p><strong>\u00c7ES\u0327I\u0307TLI\u0307 I\u0307NCELEMELER \/ CONSIDE\u0301RATIONS GE\u0301NE\u0301RALES<br \/>\n<\/strong>Roma\u2019da Edebiyat Dog\u0306madan O\u0308nce Ku\u0308ltu\u0308rel Yap\u0131 \/ <strong>Necdet Su\u0308mer <\/strong>\u2013 Hukukc\u0327u Go\u0308zu\u0308yle Montaigne \/ <strong>Sami Selc\u0327uk <\/strong>\u2013 Reflet des relations sociales et familiales dans les come\u0301dies de Corneille (I) \/ <strong>Ljiljana Matic <\/strong>\u2013 La langue franc\u0327aise aujourd\u2019hui et demain \/ <strong>Nevin Hadad <\/strong>\u2013 Image ou visage de Montaigne \/ <strong>Ays\u0327e (Eziler) K\u0131ran <\/strong>\u2013 Marianne\u2019in Kalbi\u2019nde Modern O\u0308g\u0306eler \/ <strong>Abdu\u0308llatif Acarl\u0131og\u0306lu <\/strong>\u2013 Klasik ve Yeni Roman Aras\u0131nda Bir Ko\u0308pru\u0308; Germinal \/ <strong>Ekrem Aksoy <\/strong>\u2013 L\u2019Influence des ide\u0301es d\u2019Artaud sur le the\u0301a\u0302tre des anne\u0301es 60, 70 \/ <strong>Grazyna Starak <\/strong>\u2013 Blaise Cendrars et le surre\u0301alisme \/ Aleksander Ablamowicz &#8211; Nouveau roman et autobiographie: Alain Robbe-Grillet \/ <strong>Czeslaj Grzesiak <\/strong>\u2013 Yabanc\u0131\u2019da Meursault-Toplum Uyumsuzlug\u0306u ve Nedenleri \/ <strong>Adnan Mahirog\u0306ullar\u0131 <\/strong>\u2013 Samuel Beckett\u2019te As\u0327k Kavram\u0131 \/ <strong>Gu\u0308lsen Canl\u0131 <\/strong>\u2013 Les noms des personnages dans les pie\u0300ces de lonesco et de Becket \/ <strong>Bahattin Sav <\/strong>\u2013 L\u2019homme et la notion de ne\u0301ant chez Samuel Beckett \/ <strong>Erol Kayra <\/strong>\u2013 Bu\u0308tu\u0308n Sanatlar\u0131n Gu\u0308zel Annesi : S\u0327iir (Dilbilimsel Bir Yorum) \/ <strong>Armag\u0306an Ethemog\u0306lu <\/strong>\u2013 Laiklik ve Anlam\u0131 \/ <strong>I\u0307smail Demirdo\u0308ven<\/strong><\/p>\n<p><strong>TANITIM YAZILARI \/ COMPTES RENDUS<br \/>\n<\/strong>Yazmak = Yaln\u0131zl\u0131k \/ <strong>Fu\u0308sun Ataseven <\/strong>\u2013 20. Y\u0131l Yaz\u0131lar\u0131 \/ <strong>Is\u0327\u0131l I\u0307nce <\/strong>\u2013 Alman Ku\u0308ltu\u0308r Tarihi \/ <strong>Ayten Genc\u0327 <\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"<p>BAUDELAIRE O\u0308ZEL BO\u0308LU\u0308MU\u0308 (I) DOSSIER BAUDELAIRE (I) BAUDELAI\u0307RE\u2019DEN I\u0307KI\u0307 EROTI\u0307K TABLO: \u201cSac\u0327lar\u201d \u2013 \u201cSac\u0327larda Bir Yar\u0131m Ku\u0308re\u201d \/ Tug\u0306rul I\u0307nal \u2013 \u201cBin Y\u0131l Yas\u0327asam Bunca An\u0131m Olmazd\u0131\u201d \/ Abidin Emre \u2013 I\u0307karus\u2019un Kavs\u0327ag\u0306\u0131nda I\u0307ki S\u0327air : Baudelaire ve Taranc\u0131 (I) \/ Kemal O\u0308zmen \u2013 Deux livres scandaleux au 19e sie\u0301cle: \u201cLes Fleurs du mal\u201d de&hellip;<\/p>\n","protected":false},"author":1,"featured_media":49,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[2],"tags":[],"class_list":["post-72","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-sayilar"],"_links":{"self":[{"href":"https:\/\/www.frankofoni.com.tr\/en\/wp-json\/wp\/v2\/posts\/72","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.frankofoni.com.tr\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.frankofoni.com.tr\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.frankofoni.com.tr\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.frankofoni.com.tr\/en\/wp-json\/wp\/v2\/comments?post=72"}],"version-history":[{"count":1,"href":"https:\/\/www.frankofoni.com.tr\/en\/wp-json\/wp\/v2\/posts\/72\/revisions"}],"predecessor-version":[{"id":73,"href":"https:\/\/www.frankofoni.com.tr\/en\/wp-json\/wp\/v2\/posts\/72\/revisions\/73"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.frankofoni.com.tr\/en\/wp-json\/wp\/v2\/media\/49"}],"wp:attachment":[{"href":"https:\/\/www.frankofoni.com.tr\/en\/wp-json\/wp\/v2\/media?parent=72"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.frankofoni.com.tr\/en\/wp-json\/wp\/v2\/categories?post=72"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.frankofoni.com.tr\/en\/wp-json\/wp\/v2\/tags?post=72"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}