<\/p>\n
Jenerik<\/a><\/p>\n Edit\u00f6rden<\/a><\/p>\n MET\u0130N TURAN DOSYASI<\/strong> Metin Turan\u2019\u0131n Poetikas\u0131 i\u00e7in Bir Empati Denemesi<\/p>\n Tu\u011frul \u0130nal<\/a><\/p>\n D\u00f6ng\u00fcsel Zaman Unsurlar\u0131 Ba\u011flam\u0131nda Metin Turan \u015eiiri<\/p>\n Aynur Ko\u00e7ak<\/a><\/p>\n Metin Turan\u2019\u0131n Halk Edebiyat\u0131 \u00dczerine \u00c7al\u0131\u015fmalar\u0131<\/p>\n Hale Seval<\/a><\/p>\n Metin Turan\u2019\u0131n \u015eiirlerinde Kullan\u0131lan Zaman<\/p>\n Ali Alg\u00fcl<\/a><\/p>\n Bir Halkbilim Neferi Metin Turan\u2019\u0131 Anlamak<\/p>\n Hanife Nalan Gen\u00e7<\/a><\/p>\n MET\u0130NLERARASILIK DOSYASI<\/strong> M\u00e9d\u00e9es<\/em> de Gilda Piersanti, une trag\u00e9die du quotidien<\/p>\n Katherine Rondou<\/a><\/p>\n La Satire des Salons de Diderot<\/p>\n Rodrigue Boulingui<\/a><\/p>\n L\u2019intertextualit\u00e9 et la repr\u00e9sentation de l\u2019amour dans Une lettre trouv\u00e9e sur un noy\u00e9 de<\/em> Guy de Maupassant<\/p>\n Salsabil Gouider<\/a><\/p>\n \u00c7E\u015e\u0130TL\u0130 \u0130NCELEMELER DOSYASI<\/strong> Ataol Behramo\u011flu\u2019nun Bir G\u00fcn Mutlaka \u015eiirini Yeniden Okumak\u2026<\/p>\n \u015eiirsel E\u015fzamanl\u0131l\u0131k \u00dczerine Bir \u0130nceleme<\/p>\n Kemal \u00d6zmen<\/a><\/p>\n L\u2019Alg\u00e9rie d\u2019Albert Camus 60 ans apr\u00e8s sa mort<\/p>\n Arzu Etensel \u0130ldem<\/a><\/p>\n Hippolytos-Phaedra-Ph\u00e8dre Mitolojik Konunun Euripides, Seneca, Racine Taraf\u0131ndan Trajediye D\u00f6n\u00fc\u015ft\u00fcr\u00fclmesi<\/p>\n Nedim Kula<\/a><\/p>\n B-M. Kolt\u00e8s\u2019in Ormanlardan Hemen \u00d6nceki Gece Adl\u0131 Oyununda Bellek<\/p>\n T\u00fcl\u00fcnay Dalak<\/a><\/p>\n Kitonyen Ana Tanr\u0131\u00e7aya D\u00f6n\u00fc\u015f: Beloved Ve Medea. Stimmen\u2019 da Anaerki<\/p>\n Medine Sivri \u2013 Arzu Yetim<\/a><\/p>\n 21. Y\u00fczy\u0131l Frans\u0131z Edebiyat\u0131nda Sosyal Deney \u00d6rne\u011fi Olarak Yaz\u0131n ve Eric Chauvier\u2019nin Anthropologie adl\u0131 Roman\u0131<\/p>\n G\u00fclser \u00c7etin<\/a><\/p>\n Ya\u015far Kemal\u2019in Yaz\u0131n D\u00fcnyas\u0131nda Do\u011fa Eti\u011fi: Deniz ve Toprak<\/p>\n Seza Y\u0131lanc\u0131o\u011flu<\/a><\/p>\n \u0130ki Zola : Deneysel Romanc\u0131 ve Denek<\/p>\n G\u00fcl Tekay Baysan<\/a><\/p>\n XVIII. Ve XIX. Y\u00fczy\u0131llarda Fransa\u2019da Kad\u0131n Bilim \u0130nsanlar\u0131<\/p>\n Jale Erlat<\/a><\/p>\n Yirmisekiz \u00c7elebi Mehmet Efendi et Montesquieu<\/p>\n Ekrem Aksoy<\/a><\/p>\n \u00d6zg\u00fcr Sanat\u0131n Savunusu: Yakup Kadri Ve Andr\u00e9 Malraux Sovyet Yazarlar\u0131 Birinci Kongresi\u2019nde-1934<\/p>\n Engin Bezci<\/a><\/p>\n Pascal Quignard\u2019\u0131n Villa Amalia Adl\u0131 Roman\u0131nda Estetik Al\u0131mlama ve \u00d6znenin Kimliksel D\u00f6n\u00fc\u015f\u00fcm\u00fc<\/p>\n Selda\u011f Bank\u0131r Mes\u00e7io\u011flu<\/a><\/p>\n Philippe Claudel\u2019in K\u00f6pek Tak\u0131madalar\u0131 Roman\u0131nda Alegorik Anlat\u0131a<\/p>\n B\u00fclent \u00c7a\u011flakp\u0131nar<\/a><\/p>\n \u00a0<\/b><\/p>\n
\nDOSSIER MET\u0130N TURAN<\/strong><\/p>\n
\nDOSSIER INTERTEXTUALIT\u00c9<\/strong><\/p>\n
\nCONSID\u00c9RATIONS G\u00c9N\u00c9RALES<\/strong><\/p>\n