{"id":180,"date":"2020-09-25T23:38:18","date_gmt":"2020-09-25T20:38:18","guid":{"rendered":"http:\/\/www.frankofoni.com.tr\/?p=180"},"modified":"2020-10-18T18:43:29","modified_gmt":"2020-10-18T15:43:29","slug":"ortak-kitabi-no-37-2020","status":"publish","type":"post","link":"https:\/\/www.frankofoni.com.tr\/en\/ortak-kitabi-no-37-2020\/","title":{"rendered":"Volume: 37 \u2013 2020"},"content":{"rendered":"

Generic<\/a><\/strong><\/p>\n

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Editorial<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n

Tu\u011frul \u0130NAL<\/a><\/strong><\/p>\n

 <\/p>\n

NERVAL DOSYASI (III) \/ DOSSIER NERVAL (III)<\/strong><\/p>\n

Nerval i\u00e7in Dramatik Bir Okuma-Aur\u00e9lia<\/em> Bir \u201cT\u00fcr\u201d \u015eiir-Tiyatro i\u00e7in Bir Empati Denemesi<\/p>\n

Tu\u011frul \u0130nal<\/a><\/strong><\/p>\n

Nerval \u00e9crivain-voyageur et l\u2019alt\u00e9rit\u00e9 grecque<\/p>\n

Antigone Samiou<\/a><\/strong><\/p>\n

\u00c7EV\u0130R\u0130 DOSYASI \/ DOSSIER TRADUCTION<\/strong><\/p>\n

A\u011flarda \u0130n\u015fa Edilen Sessel Demokrasi \u0130stanbul Bo\u011faz\u0131\u2019n\u0131n Seslerini \u00c7evirmek<\/p>\n

Emine Bogen\u00e7 Demirel – Zeynep G\u00f6rg\u00fcler<\/a><\/strong><\/p>\n

Kent Hakk\u0131 ve Adalet Kavramlar\u0131n\u0131 Terimler \u00dczerinden \u00c7\u00f6z\u00fcmlemek: Mek\u00e2nda Adalet Derne\u011fi ve beyond.istanbul<\/em><\/p>\n

Deniz Kurmel<\/a><\/strong><\/p>\n

M\u00fcdahil Bir \u00c7eviri \u00d6rne\u011fi Olarak Eko-\u00c7eviri<\/p>\n

Emine Bogen\u00e7 Demirel – Fulya Marmara<\/a><\/strong><\/p>\n

\u00c7E\u015e\u0130TL\u0130 \u0130NCELEMELER \/ CONSID\u00c9RATIONS<\/strong><\/p>\n

Faust Miti \u00dczerine\u2026 Bizim Neden Bir Faust\u2019umuz Yok ? (II)<\/p>\n

Kemal \u00d6zmen<\/a><\/strong><\/p>\n

Maurice Dekobra : Un amoureux de la Turquie et un admirateur de Moustapha Kemal dans Serenade au bourreau<\/em><\/p>\n

Claude -Alain Chevallier<\/a><\/strong><\/p>\n

L\u00e9onora Miano l\u2019Afrop\u00e9enne<\/p>\n

Arzu Etensel \u0130ldem<\/a><\/strong><\/p>\n

Yaln\u0131zlar R\u0131ht\u0131m\u0131nda Bir Iss\u0131z Adam\u0131n \u00d6yk\u00fcs\u00fc: Konuk<\/p>\n

Hanife N\u00e2l\u00e2n Gen\u00e7<\/a><\/strong><\/p>\n

Les Visages D’Ad\u00e8le H.<\/p>\n

Emma Ait Aattou-Behrend<\/a><\/strong><\/p>\n

Fransa\u2019da XVI. ve XVII. Y\u00fczy\u0131llarda Bilim \u0130nsan\u0131 Kad\u0131nlar<\/p>\n

Jale Erlat<\/a><\/strong><\/p>\n

Bir Roman, Bir Film, \u0130ki \u0130nsan: Zola ve C\u00e9zanne<\/p>\n

G\u00fcl Tekay Baysan<\/a><\/strong><\/p>\n

Pierre Louys\u2019in Bilitis\u2019in \u015eark\u0131lar\u0131<\/em>\u2019nda Ge\u00e7mi\u015f Zaman Kad\u0131nlar\u0131n\u0131n D\u00fcnyas\u0131na Yolculuk<\/p>\n

Nedim Kula<\/a><\/strong><\/p>\n

Annie Ernaux\u2019nun Je ne suis pas sortie de ma nuit<\/em> Adl\u0131 Roman\u0131nda Par\u00e7al\u0131 Yaz\u0131dan Par\u00e7alanm\u0131\u015f Hayatlara<\/p>\n

Fatma Kaba<\/a><\/strong><\/p>\n

Pluralit\u00e9 linguistique dans l\u2019aventure d\u2019\u00e9criture d\u2019Assia Djebar<\/p>\n

Fatma Akbulut<\/a><\/strong><\/p>\n

Ele\u015ftirel Ger\u00e7ek\u00e7ilikten Devrimci Romantizme Do\u011fru Toplumcu Ger\u00e7ek\u00e7ilik \u00dczerine Bir \u00c7al\u0131\u015fma<\/p>\n

Ali Alg\u00fcl<\/a> <\/strong><\/p>\n

Tarama Yay\u0131nlar<\/a><\/strong><\/p>","protected":false},"excerpt":{"rendered":"

Generic Editorial Tu\u011frul \u0130NAL   NERVAL DOSYASI (III) \/ DOSSIER NERVAL (III) Nerval i\u00e7in Dramatik Bir Okuma-Aur\u00e9lia Bir \u201cT\u00fcr\u201d \u015eiir-Tiyatro i\u00e7in Bir Empati Denemesi Tu\u011frul \u0130nal Nerval \u00e9crivain-voyageur et l\u2019alt\u00e9rit\u00e9 grecque Antigone Samiou \u00c7EV\u0130R\u0130 DOSYASI \/ DOSSIER TRADUCTION A\u011flarda \u0130n\u015fa Edilen Sessel Demokrasi \u0130stanbul Bo\u011faz\u0131\u2019n\u0131n Seslerini \u00c7evirmek Emine Bogen\u00e7 Demirel – Zeynep G\u00f6rg\u00fcler Kent Hakk\u0131…<\/p>\n","protected":false},"author":1,"featured_media":49,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[2],"tags":[],"class_list":["post-180","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-sayilar"],"_links":{"self":[{"href":"https:\/\/www.frankofoni.com.tr\/en\/wp-json\/wp\/v2\/posts\/180","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.frankofoni.com.tr\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.frankofoni.com.tr\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.frankofoni.com.tr\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.frankofoni.com.tr\/en\/wp-json\/wp\/v2\/comments?post=180"}],"version-history":[{"count":3,"href":"https:\/\/www.frankofoni.com.tr\/en\/wp-json\/wp\/v2\/posts\/180\/revisions"}],"predecessor-version":[{"id":241,"href":"https:\/\/www.frankofoni.com.tr\/en\/wp-json\/wp\/v2\/posts\/180\/revisions\/241"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.frankofoni.com.tr\/en\/wp-json\/wp\/v2\/media\/49"}],"wp:attachment":[{"href":"https:\/\/www.frankofoni.com.tr\/en\/wp-json\/wp\/v2\/media?parent=180"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.frankofoni.com.tr\/en\/wp-json\/wp\/v2\/categories?post=180"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.frankofoni.com.tr\/en\/wp-json\/wp\/v2\/tags?post=180"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}