{"id":116,"date":"2016-01-01T00:00:32","date_gmt":"2015-12-31T21:00:32","guid":{"rendered":"http:\/\/www.frankofoni.com.tr\/?p=116"},"modified":"2019-10-29T20:58:40","modified_gmt":"2019-10-29T17:58:40","slug":"ortak-kitap-no-28-2016","status":"publish","type":"post","link":"https:\/\/www.frankofoni.com.tr\/en\/ortak-kitap-no-28-2016\/","title":{"rendered":"Ortak Kitap No : 28 &#8211; 2016"},"content":{"rendered":"<p><strong>CHARLES BAUDELAIRE O\u0308ZEL BO\u0308LU\u0308MU\u0308 (XXIII) \/ DOSSIER CHARLES BAUDELAIRE (XXIII)<br \/>\n<\/strong>Baudelaire I\u0307c\u0327in Dramatik Bir Okuma (XIV) Senfonik S\u0327iir (VII) &#8211; Bir \u201cTu\u0308r\u201d S\u0327iir-Tiyatro I\u0307c\u0327in- Bir Empati Denemesi \/ <strong>Tug\u0306rul I\u0307nal <\/strong>&#8211; Une Lecture dramatique pour Baudelaire XIV Poe\u0300me symphonique VII \u201cGenre\u201d Poe\u0301tico the\u0300a\u0302tral, Essal Empathique \/ <strong>Tug\u0306rul I\u0307nal <\/strong>\u2013 Baudelaire\u2019de Buyuru Eylem C\u0327at\u0131s\u0131 ve S\u0327iir Dilini Kullan\u0131mda Tan\u0131mlama \/ <strong>Yavuz K\u0131z\u0131lc\u0327im \/ <\/strong>Baudelaire\u2019le Mehmed Rauf\u2019un S\u0327iirlerinde I\u0307c\u0327 S\u0131k\u0131nt\u0131s\u0131n\u0131n Ortaya C\u0327\u0131k\u0131s\u0327 \/ <strong>Nedim Kula<\/strong><\/p>\n<p><strong>NEDI\u0307M GU\u0308RSEL DOSYASI \/ DOSSIER NEDI\u0307M GU\u0308RSEL<br \/>\n<\/strong>Nedim Gu\u0308rsel\u2019in Yaz\u0131nsal Yolculug\u0306u \/ <strong>Seza Y\u0131lanc\u0131og\u0306lu <\/strong>&#8211; Venise Chez Nedim Gu\u0308rsel et Metin Arditi \/ <strong>Arzu Etensel I\u0307ldem <\/strong>\/ Nedim Gu\u0308rsel\u2019in <em>\u201cResimli Du\u0308nya\u201d<\/em>s\u0131ndan Timour Muhidine\u2019in <em>Les Turbans De Venise\u2019<\/em>ine : Ku\u0308ltu\u0308rel O\u0308g\u0306elerin C\u0327evirisi ile I\u0307lgili Betimleyici Bir C\u0327al\u0131s\u0327ma \/ <strong>Tanju I\u0307nal &#8211; Mu\u0308mtaz Kaya <\/strong>\u2013 Nedim Gu\u0308rsel\u2019in <em>O\u0308g\u0306leden Sonra As\u0327k <\/em>I\u0307simli O\u0308yku\u0308su\u0308nde I\u0307zleksel O\u0308g\u0306eler \/ <strong>Hanife Na\u0302la\u0302n Genc\u0327 <\/strong>\u2013 Nedim Gu\u0308rsel\u2019in O\u0308yku\u0308cu\u0308lu\u0308g\u0306u\u0308nde <em>Tehlikeli Sevis\u0327meler \/ <\/em><strong>Ha\u0302le Seval <\/strong>\u2013 Nedim Gu\u0308rsel I\u0307c\u0327in Dramatik Bir Okuma \/ <strong>Tug\u0306rul I\u0307nal<\/strong><\/p>\n<p><strong>C\u0327ES\u0327I\u0307TLI\u0307 I\u0307NCELEMELER \/ CONSIDE\u0301RATIONS GE\u0301NE\u0301RALES<br \/>\n<\/strong>Pour une typologie du roman baroque \/ <strong>Lelia Trocan <\/strong>\u2013 <em>Les Mise\u0301rables <\/em>de Victor Hugo comme roman sentimental (I)\/<strong>Aleksandra Boguslawska<\/strong>\u2013Progre\u0300s et devenir dans <em>Le Cheval roux ou Les Intentions humaines <\/em>d\u2019Elsa Triolet\/<strong>Graziella-Foteini Castellanou \u2013 <\/strong>Sofokles\u2019ten Anouilh\u2019a Kars\u0327\u0131las\u0327t\u0131rmal\u0131 Bir Okuma: <em>Antigone \/ <\/em><strong>Beki Haleva <\/strong>\u2013 Tiyatro, C\u0327eviri ve Estetik \/ <strong>Emine Bogenc\u0327 Demirel\u2013Kerem Demirtas\u0327 \u2013 <\/strong>Yeniden C\u0327eviriler: Farkl\u0131las\u0327an Yorumlar ve Sunumlar\/<strong>A. S\u0327irin Okyayuz <\/strong>\u2013 E\u0301crivains de langue franc\u0327aise, E\u0301crivains du mmonde \/ <strong>Georges Fre\u0301ris <\/strong>\u2013 Sur la pointe des pieds, la maitrise formelle de Marie Krysinska \/ <strong>Ewa M. Wierzbowska <\/strong>\u2013 Gae\u0308tan Brulotte, Nouvellier de la Psychopathologie de la vie quotidienne\u201d (I) \/ <strong>Ljiljana Matic\u0301 <\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"<p>CHARLES BAUDELAIRE O\u0308ZEL BO\u0308LU\u0308MU\u0308 (XXIII) \/ DOSSIER CHARLES BAUDELAIRE (XXIII) Baudelaire I\u0307c\u0327in Dramatik Bir Okuma (XIV) Senfonik S\u0327iir (VII) &#8211; Bir \u201cTu\u0308r\u201d S\u0327iir-Tiyatro I\u0307c\u0327in- Bir Empati Denemesi \/ Tug\u0306rul I\u0307nal &#8211; Une Lecture dramatique pour Baudelaire XIV Poe\u0300me symphonique VII \u201cGenre\u201d Poe\u0301tico the\u0300a\u0302tral, Essal Empathique \/ Tug\u0306rul I\u0307nal \u2013 Baudelaire\u2019de Buyuru Eylem C\u0327at\u0131s\u0131 ve S\u0327iir&hellip;<\/p>\n","protected":false},"author":1,"featured_media":49,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[2],"tags":[],"class_list":["post-116","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-sayilar"],"_links":{"self":[{"href":"https:\/\/www.frankofoni.com.tr\/en\/wp-json\/wp\/v2\/posts\/116","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.frankofoni.com.tr\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.frankofoni.com.tr\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.frankofoni.com.tr\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.frankofoni.com.tr\/en\/wp-json\/wp\/v2\/comments?post=116"}],"version-history":[{"count":1,"href":"https:\/\/www.frankofoni.com.tr\/en\/wp-json\/wp\/v2\/posts\/116\/revisions"}],"predecessor-version":[{"id":117,"href":"https:\/\/www.frankofoni.com.tr\/en\/wp-json\/wp\/v2\/posts\/116\/revisions\/117"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.frankofoni.com.tr\/en\/wp-json\/wp\/v2\/media\/49"}],"wp:attachment":[{"href":"https:\/\/www.frankofoni.com.tr\/en\/wp-json\/wp\/v2\/media?parent=116"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.frankofoni.com.tr\/en\/wp-json\/wp\/v2\/categories?post=116"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.frankofoni.com.tr\/en\/wp-json\/wp\/v2\/tags?post=116"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}